The chapel, as we have already stated, happily survives. In the
reign of Elizabeth, and possibly even before that time, it was given
as a place of worship for the refugees who had fled from Catholic
persecution and Spanish tyranny in the Netherlands. But in the reign
of Charles II complaints having been made that English Nonconformists
used the place as a refuge against the harsh laws which then pressed so
heavily upon them, and a complaint also having been lodged by residents
in the Channel Islands that their fellow countrymen were prejudiced
against the English Liturgy by the Nonconformists attending the
chapel, it was ordered that in future the Liturgy and service should
be conducted in the French language as at the chapel of the Savoy in
London; and the service is so performed down to the present day.
The East Gate of the town as long ago as 1773 proved so great an
obstruction to commerce and traffic that it was pulled down. It was
not of any great historical, architectural, or antiquarian interest,
and had probably been at various times “tinkered” so that little of
its original features, or even materials, remained at the time of its
demolition.
Southampton’s most notable and impressive survival of medieval times is
found at the northern extremity of the ancient walled town, where the
new town may be said to meet the old. It stands--as did Temple Bar--an
interesting, though incongruous, survival amidst the noise and throng
of twentieth-century traffic, houses, and bustle. Known anciently as
the “Barred” Gate (corrupted eventually into the name “Bargate” it now
bears), it is undoubtedly one of the “Bars of Hampton” which we find
mentioned as far back as the twelfth century.
Although portions of the Bargate are of widely different periods--the
arches which span the roadway and two footpaths--for example, it is
still preserved very much as it stood in medieval times, and forms
a most interesting example of Norman architectural work. The north
front is wonderfully well preserved, and the projecting buttresses
and finely-moulded arch, with the picturesque front of semi-octagonal
shape, with heavy machicolations, form a very striking object on
approach. This front is of somewhat later date than the central part of
the gate, and the lions _sejeant_, now placed on either side once stood
on the bridge at the far side of the ditch which ran outside.
Public-domain text, read in full here on John Shaqi.
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