From the Trenches: Louvain to the Aisne, the First Record of an Eye-WitnessYoung, Geoffrey Winthrop
History
From the Trenches: Louvain to the Aisne, the First Record of an Eye-Witness
Young, Geoffrey Winthrop
World War, 1914-1918 -- Personal narratives
The same night I was driving on the long dark roads back to the
coast. Occasionally the lights flashed on lines of women, in widows'
black, returning in silence from the shrines. Now and again a blaze
of light startled us from the roadside. The shrines of saints, bright
with votive candles all this night of terror. And remote from their
homesteads, and from the war, the heads of crowds of small children
showed black on the steps against the altar lights; while in a
semicircle on the road outside knelt the shadows of women, enclosing
their children, the last possession left to them. I stopped the car
before one shrine, and a high woman's voice, in which all emotion was
dead, called out from the darkness: "Is that death?"
South of Peronne, hardly a week ago, we gave a lift to four refugee
peasant-women, trudging heavily back to their homes. Two weeks before
some German cavalry had swept suddenly into their small village. Ten
men had been ordered to go with them, the husbands of two of the women,
the sons of two others. They had disappeared in the shadow, and not
one had returned. We reached the outlying cottage of the first. Some
small skirmish had raged there. The house was half destroyed, and three
or four dead horses lay grotesquely rotting on the field. The woman
stood for a moment unmoved, and then turned to a neighbour: "War has
taken my sons, and has left me these."
Four days ago a French soldier of the line stopped me just south of
Vic-sur-Aisnes. He was hobbling back from the trenches, wounded in the
knee. He was clearly half stupid with fatigue and the detonation of the
days of firing. He kept repeating to himself, over and over again: "I
cannot remember: there were five, all killed near me; and three said to
tell somebody a message, before they died. I cannot remember what it
was, or who they were. I cannot remember: there were five----" and so
over again. These were the last messages out of the edge of the shadow,
and they were lost. But there would always be the discs. Better that
the details should not come. There would then be still the chance of
imagining some heroic setting of death.
We may well remember that such death is heroic, whatever its loneliness
or its revolting circumstances. But let us borrow no false colour from
an imaginary pomp and circumstance in war itself. It is dissolution and
the end of hope that is hidden in the cloud. In England we are happily
still free to interpret the obscurity according to our fancy, to
picture death in battle as somehow not death. For those who have moved
by the edge of the shadow there is no illusion left. The cloud shifts
from village to village, from week to week, only to let us see in its
track nature outraged, emotion degraded, humanity defaced.
We have chosen war, and must follow it to its undiscriminating end. Let
us see to it that it is for the last time.
CHAPTER XIV
Arms and the Man
Public-domain text, read in full here on John Shaqi.
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