From the Trenches: Louvain to the Aisne, the First Record of an Eye-WitnessYoung, Geoffrey Winthrop
History
From the Trenches: Louvain to the Aisne, the First Record of an Eye-Witness
Young, Geoffrey Winthrop
World War, 1914-1918 -- Personal narratives
I asked cautiously, later, why there was the constant question about
the whereabouts of the "Turcos," Indians and Japanese. Were we not
enough? There was a volume of answer. "Ah, but we are civilised! We
thought this fighting would be civilised. They cut the heads off their
bullets. Here is one! And they rough the edge of their bayonets--I
have picked them up! But it is with savages. And we have not the
temperament." A volunteer emphasised this, a bearded manufacturer,
with a family, in ordinary times: "And these others know the barbarous
methods of fight. It is of their nature. They can be ferocious. The
savages fear them."
The old walls of Paris, the third line of defence, remain a cherished
sentiment. The famous story of Todleben riding round them on
inspection, with two officers, in silence, and only remarking quietly
at the end: "_C'est tout? Paris est prise d'avance!_" was treated as a
German's joke!
"The walls? They will be fought to the last! The stones of the street
of Paris will rise up in new barricades--if 'they' get so far!"
A volunteer infantryman arrived with a packet of salt. Salt is getting
rare. The arrival was made the occasion of a quick cooking of the
universal soup. The talk flickered up; chiefly of friends and positions
of regiments, details confused and not to be recorded. The end of one
story, however, stands out vividly: "We were only three, and he could
not walk further, and it was a cold night. We could not put him in a
haystack, for the 'Bosches' burn them; or in a cottage, till 'they' had
gone past. So we made a shallow trough between the furrows, leaving him
warm with his head uncovered, and pulled a harrow above him. In the
morning the peasant who had left the harrow would find him, warm; or it
would be easy to finish burying him."
The last of them rolled up in their coats and straw to sleep, my
corporal still murmuring: "I wonder where he is, the little one--so
high? Perhaps, after the war----"
And it seemed only a moment later that the dawn began behind Paris,
yellow behind the grey towers above the still mists.
Paris, Saturday dawn.
During the respite of the last days the army of defence has at least
got what sleep it could.
The trenches within the circle of forts are cloaked before dawn
by mist. Here and there, hidden under temporary shelters, a groan
or murmur tells where the soldiers sleep on straw, behind the
entrenchments. The stations of the local railway lines are filled with
straw, and among sacks and accoutrements the more fortunate are asleep,
crowded close under the open sheds.
If I move my head, shadows loom out of the mist--the close-standing
sentries. Singular figures, hidden in white vapour to the waist.
All wearing heavy cloaks of different types, but made uniform by the
military cap, the shouldered or grounded musket.
Public-domain text, read in full here on John Shaqi.
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