Lüshun (China) -- History -- Siege, 1904-1905; Russo-Japanese War, 1904-1905
By the light of the moon we mounted our horses and took the road
once more to Mou-tien-ling. The valley lay before us folded in the
death-like slumber that precedes the dawn. Against the opalescent sky
the mountains were dark shadows, and in the pearly mist willow and
birch took the feathery shape of palm. There was a brooding expectancy
about the scene that worked strongly on the imagination. Our mood was
attuned to the mystery of the night and we rode on in silence. Twelve
hours before we were looking across the graves of wasted days. For a
whole month we had camped in the squalid hamlet of Lien-chen-kwan and
counted ourselves among its oldest habitants. When the Japanese army
halts it halts with an air of permanence. The place is swept, houses
are cleaned, bridges are built, roads made and repaired, store houses
erected, trenches dug and earthworks constructed. You feel that
you are settled for life, and are beginning to reconcile yourself to
irresistable fate when, presto! the order comes to march.
[Illustration: Captured Russian Guns.]
“Military _attachés_ and foreign correspondents will assemble at
Head-Quarters at three o’clock in the morning.” Nothing more was said,
but we knew that it meant another step in our deliberate progress to
Liao-yang. How changed was the scene from that of two weeks before.
Then the road swarmed with armed men hurrying to the front; horses and
guns swept onward in a roaring cataract and the glowing hills echoed
with the thunders of war. Now we were a solitary troop of horsemen
riding through a deserted valley, whither and with what purpose we knew
not. Yet the breathless quiet and the dimness of the enfolding mist
were filled with vague portents that touched deeper chords than those
vibrated by the tumult of battle. We were conscious of the brooding
presence of some mighty force which would appear and change earth and
sky like a tornado, leaving death and destruction in its path.
Public-domain text, read in full here on John Shaqi.
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