French fiction -- Translations into English; Paris (France) -- Fiction
Suddenly he spied a light in Planus’s office, at the end of that long
line of deserted rooms. The old cashier was still at work, at one
o’clock in the morning! That was really most extraordinary.
Risler’s first impulse was to retrace his steps. In fact, since his
unaccountable falling-out with Sigismond, since the cashier had adopted
that attitude of cold silence toward him, he had avoided meeting him.
His wounded friendship had always led him to shun an explanation; he had
a sort of pride in not asking Planus why he bore him ill-will. But, on
that evening, Risler felt so strongly the need of cordial sympathy, of
pouring out his heart to some one, and then it was such an excellent
opportunity for a tete-a-tete with his former friend, that he did not
try to avoid him but boldly entered the counting-room.
The cashier was sitting there, motionless, among heaps of papers and
great books, which he had been turning over, some of which had fallen to
the floor. At the sound of his employer’s footsteps he did not even lift
his eyes. He had recognized Risler’s step. The latter, somewhat abashed,
hesitated a moment; then, impelled by one of those secret springs which
we have within us and which guide us, despite ourselves, in the path of
our destiny, he walked straight to the cashier’s grating.
“Sigismond,” he said in a grave voice.
The old man raised his head and displayed a shrunken face down which two
great tears were rolling, the first perhaps that that animate column of
figures had ever shed in his life.
“You are weeping, old man? What troubles you?”
And honest Risler, deeply touched, held out his hand to his friend, who
hastily withdrew his. That movement of repulsion was so instinctive, so
brutal, that all Risler’s emotion changed to indignation.
He drew himself up with stern dignity.
“I offer you my hand, Sigismond Planus!” he said.
“And I refuse to take it,” said Planus, rising.
There was a terrible pause, during which they heard the muffled music
of the orchestra upstairs and the noise of the ball, the dull, wearing
noise of floors shaken by the rhythmic movement of the dance.
“Why do you refuse to take my hand?” demanded Risler simply, while the
grating upon which he leaned trembled with a metallic quiver.
Sigismond was facing him, with both hands on his desk, as if to
emphasize and drive home what he was about to say in reply.
“Why? Because you have ruined the house; because in a few hours a
messenger from the Bank will come and stand where you are, to collect a
hundred thousand francs; and because, thanks to you, I haven’t a sou in
the cash-box--that’s the reason why!”
Risler was stupefied.
“I have ruined the house--I?”
Public-domain text, read in full here on John Shaqi.
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