French fiction -- Translations into English; Paris (France) -- Fiction
“Is she in Paris?” he asked, after a few moments’ reflection.
“No. She went away three months ago. No one knows where she has gone.”
Sigismond did not add that she had gone with her Cazaboni, whose name
she now bore, that they were making the circuit of the provincial cities
together, that her mother was in despair, never saw her, and heard
of her only through Delobelle. Sigismond did not deem it his duty to
mention all that, and after his last words he held his peace.
Risler, for his part, dared ask no further questions.
While they sat there, facing each other, both embarrassed by the long
silence, the military band began to play under the trees in the garden.
They played one of those Italian operatic overtures which seem to have
been written expressly for public open-air resorts; the swiftly-flowing
notes, as they rise into the air, blend with the call of the swallows
and the silvery plash of the fountain. The blaring brass brings out in
bold relief the mild warmth of the closing hours of those summer days,
so long and enervating in Paris; it seems as if one could hear nothing
else. The distant rumbling of wheels, the cries of children playing, the
footsteps of the promenaders are wafted away in those resonant, gushing,
refreshing waves of melody, as useful to the people of Paris as the
daily watering of their streets. On all sides the faded flowers, the
trees white with dust, the faces made pale and wan by the heat, all the
sorrows, all the miseries of a great city, sitting dreamily, with bowed
head, on the benches in the garden, feel its comforting, refreshing
influence. The air is stirred, renewed by those strains that traverse
it, filling it with harmony.
Poor Risler felt as if the tension upon all his nerves were relaxed.
“A little music does one good,” he said, with glistening eyes. “My heart
is heavy, old fellow,” he added, in a lower tone; “if you knew--”
They sat without speaking, their elbows resting on the window-sill,
while their coffee was served.
Then the music ceased, the garden became deserted. The light that had
loitered in the corners crept upward to the roofs, cast its last rays
upon the highest windowpanes, followed by the birds, the swallows, which
saluted the close of day with a farewell chirp from the gutter where
they were huddled together.
“Now, where shall we go?” said Planus, as they left the restaurant.
“Wherever you wish.”
On the first floor of a building on the Rue Montpensier, close at hand,
was a cafe chantant, where many people entered.
“Suppose we go in,” said Planus, desirous of banishing his friend’s
melancholy at any cost, “the beer is excellent.”
Risler assented to the suggestion; he had not tasted beer for six
months.
It was a former restaurant transformed into a concert-hall. There were
three large rooms, separated by gilded pillars, the partitions having
been removed; the decoration was in the Moorish style, bright red, pale
blue, with little crescents and turbans for ornament.
Public-domain text, read in full here on John Shaqi.
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