French fiction -- Translations into English; Paris (France) -- Fiction
Sigismond counted the packages, weighed them with his eye as they
passed, and gazed inquisitively into Risler’s apartments through the
open windows. The carpets that were shaken with a great noise, the
jardinieres that were brought into the sunlight filled with fragile,
unseasonable flowers, rare and expensive, the gorgeous hangings--none of
these things escaped his notice.
The new acquisitions of the household stared him in the face, reminding
him of some request for a large amount.
But the one thing that he studied more carefully than all else was
Risler’s countenance.
In his view that woman was in a fair way to change his friend, the
best, the most upright of men, into a shameless villain. There was no
possibility of doubt that Risler knew of his dishonor, and submitted to
it. He was paid to keep quiet.
Certainly there was something monstrous in such a supposition. But it
is the tendency of innocent natures, when they are made acquainted with
evil for the first time, to go at once too far, beyond reason. When he
was once convinced of the treachery of Georges and Sidonie, Risler’s
degradation seemed to the cashier less impossible of comprehension. On
what other theory could his indifference, in the face of his partner’s
heavy expenditures, be explained?
The excellent Sigismond, in his narrow, stereotyped honesty, could
not understand the delicacy of Risler’s heart. At the same time, the
methodical bookkeeper’s habit of thought and his clear-sightedness
in business were a thousand leagues from that absent-minded, flighty
character, half-artist, half-inventor. He judged him by himself, having
no conception of the condition of a man with the disease of invention,
absorbed by a fixed idea. Such men are somnambulists. They look, but do
not see, their eyes being turned within.
It was Sigismond’s belief that Risler did see. That belief made the
old cashier very unhappy. He began by staring at his friend whenever
he entered the counting-room; then, discouraged by his immovable
indifference, which he believed to be wilful and premeditated, covering
his face like a mask, he adopted the plan of turning away and fumbling
among his papers to avoid those false glances, and keeping his eyes
fixed on the garden paths or the interlaced wires of the grating when
he spoke to him. Even his words were confused and distorted, like his
glances. No one could say positively to whom he was talking.
No more friendly smiles, no more reminiscences as they turned over the
leaves of the cash-book together.
“This was the year you came to the factory. Your first increase of pay.
Do you remember? We dined at Douix’s that day. And then the Cafe des
Aveugles in the evening, eh? What a debauch!”
At last Risler noticed the strange coolness that had sprung up between
Sigismond and himself. He mentioned it to his wife.
Public-domain text, read in full here on John Shaqi.
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