Frondes Agrestes: Readings in 'Modern Painters'Ruskin, John
Philosophy
Frondes Agrestes: Readings in 'Modern Painters'
Ruskin, John
Art; Painting
High above all sorrow? Yes; but not unwitnessing to it. The traveller
on his happy journey, as his foot springs from the deep turf, and
strikes the pebbles gaily over the edge of the mountain road, sees
with a glance of delight the clusters of nut-brown cottages that
nestle along those sloping orchards, and glow beneath the boughs of
the pines. Here, it may well seem to him, if there be sometimes
hardship, there must be at least innocence and peace, and fellowship
of the human soul with nature. It is not so. The wild goats that leap
along those rocks have as much passion of joy in all that fair work of
God as the men that toil among them,--perhaps more. Enter the street
of one of those villages, and you will find it foul with that gloomy
foulness that is suffered only by torpor, or by anguish of soul. Here,
it is torpor--not absolute suffering--not starvation or disease; but
darkness of calm enduring: the spring, known only as the time of the
scythe, and the autumn as the time of the sickle, and the sun only as
a warmth, the wind as a chill, and the mountains as a danger. They do
not understand so much as the name of beauty, or of knowledge. They
understand dimly that of virtue. Love, patience, hospitality,
faith--these things they know. To glean their meadows side by side, so
happier; to bear the burden up the breathless mountain flank
unmurmuringly; to bid the stranger drink from their vessel of milk; to
see at the foot of their low death-beds a pale figure upon a cross,
dying, also patiently;--in this they are different from the cattle and
from the stones; but, in all this, unrewarded, as far as concerns the
present life. For them, there is neither hope nor passion of spirit;
for them, neither advance nor exultation. Black bread, rude roof, dark
night, laborious day, weary arm at sunset; and life ebbs away. No
books, no thoughts, no attainments, no rest,--except only sometimes a
little sitting in the sun under the church wall, as the bell tolls
thin and far in the mountain air; a pattering of a few prayers, not
understood, by the altar-rails of the dimly gilded chapel,--and so,
back to the sombre home, with the cloud upon them still unbroken--that
cloud of rocky gloom, born out of the wild torrents and ruinous
stones, and unlightened even in their religion, except by the vague
promise of some better thing unknown, mingled with threatening, and
obscured by an unspeakable horror--a smoke, as it were, of martyrdom,
coiling up with the incense; and amidst the images of tortured bodies
and lamenting spirits in hurtling flames, the very cross, for them,
dashed more deeply than for others with gouts of blood.
Public-domain text, read in full here on John Shaqi.
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