Frondes Agrestes: Readings in 'Modern Painters'Ruskin, John
Philosophy
Frondes Agrestes: Readings in 'Modern Painters'
Ruskin, John
Art; Painting
88. Perhaps there is no more impressive scene on earth than the
solitary extent of the Campagna of Rome under evening light. Let the
reader imagine himself for a moment withdrawn from the sounds and
motion of the living world, and sent forth alone into this wild and
wasted plain. The earth yields and crumbles beneath his foot, tread he
never so lightly, for its substance is white, hollow, and carious,
like the dusty wreck of the bones of men. The long knotted grass waves
and tosses feebly in the evening wind, and the shadows of its motion
shake feverishly along the banks of ruin that lift themselves to the
sunlight. Hillocks of mouldering earth heave around him, as if the
dead beneath were struggling in their sleep. Scattered blocks of black
stone, four-square remnants of mighty edifices, not one left upon
another, lie upon them to keep them down. A dull purple poisonous haze
stretches level along the desert, veiling its spectral wrecks of massy
ruins, on whose rents the red light rests, like dying fire on defiled
altars; the blue ridge of the Alban Mount lifts itself against a
solemn space of green, clear, quiet sky. Watch-towers of dark clouds
stand steadfastly along the promontories of the Apennines. From the
plain to the mountains, the shattered aqueducts, pier beyond pier,
melt into the darkness, like shadowy and countless troops of funeral
mourners, passing from a nation's grave.
89. I was coming down one evening from the Rochers de Naye, above
Montreux, having been at work among the limestone rocks, where I could
get no water, and both weary and thirsty. Coming to a spring at the
turn of the path, conducted, as usual, by the herdsmen, into a
hollowed pine trunk, I stooped to it, and drank deeply. As I raised my
head, drawing breath heavily, some one behind me said, "Celui qui
boira de cette eau-ci, aura encore soif." I turned, not understanding
for a moment what was meant, and saw one of the hill peasants,
probably returning to his chalet from the market place at Vevay or
Villeneuve. As I looked at him with an uncomprehending expression, he
went on with the verse: "Mais celui qui boira de l'eau que je lui
donnerai, n'aura jamais soif."
Public-domain text, read in full here on John Shaqi.
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