California -- Social life and customs -- Fiction; Western stories
The day following "steamer night" was usually stale and flat at San
Francisco. The reaction from the feverish exaltation of the previous
twenty-four hours was seen in the listless faces and lounging feet of
promenaders, and was notable in the deserted offices and warehouses
still redolent of last night's gas, and strewn with the dead ashes of
last night's fires. There was a brief pause before the busy life which
ran its course from "steamer day" to steamer day was once more taken
up. In that interval a few anxious speculators and investors breathed
freely, some critical situation was relieved, or some impending
catastrophe momentarily averted. In particular, a singular stroke of
good fortune that morning befell Mr. Nott. He not only secured a new
tenant, but, as he sagaciously believed, introduced into the Pontiac a
counteracting influence to the subtle fascinations of De Ferrières.
The new tenant apparently possessed a combination of business
shrewdness and brusque frankness that strongly impressed his landlord.
"You see, Rosey," said Nott, complacently describing the interview to
his daughter, "when I sorter intimated in a keerless kind o' way that
sugar kettles and hair dye was about played out ez securities, he just
planked down the money for two months in advance. 'There,' sez he,
'that's _your_ security--now where's _mine_?' 'I reckon I don't hitch
on, pardner,' sez I; 'security what for?' ''Spose you sell the ship?'
sez he, 'afore the two months is up. I've heard that old Sleight wants
to buy her.' 'Then you gets back your money,' sez I. 'And lose my
room,' sez he; 'not much, old man. You sign a paper that whoever buys
the ship inside o' two months hez to buy _me_ ez a tenant with it;
that's on the square.' So I sign the paper. It was mighty cute in the
young feller, wasn't it?" he said, scanning his daughter's pretty
puzzled face a little anxiously; "and don't you see, ez I ain't goin'
to sell the Pontiac, it's just about ez cute in me, eh? He's a
contractor somewhere around yer, and wants to be near his work. So he
takes the room next to the Frenchman, that that ship-captain quit for
the mines, and succeeds naterally to his chest and things. He's mighty
peart-looking, that young feller, Rosey--long black mustaches, all his
own color, Rosey--and he's a regular high-stepper, you bet. I reckon
he's not only been a gentleman, but ez _now_. Some o' them contractors
are very high-toned!"
"I don't think we have any right to give him the captain's chest,
father," said Rosey; "there may be some private things in it. There
were some letters and photographs in the hair-dye man's trunk that you
gave the photographer."
"That's just it, Rosey," returned Abner Nott with sublime
unconsciousness, "photographs and love letters you can't sell for cash,
and I don't mind givin' 'em away, if they kin make a feller-creature
happy."
"But, father, have we the _right_ to give 'em away?"
Public-domain text, read in full here on John Shaqi.
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