heart that was affected, filled with growing pity and anguish at the
thought of all the crime, all the shame, all the grief and distress that
had passed through that anteroom in which he stood. What terrible
confessions must have been heard, what a procession of suffering,
ignominy, and wretchedness must have been witnessed by that woman who
received the children in her mysterious little office! To her all the
wreckage of the slums, all the woe lying beneath gilded life, all the
abominations, all the tortures that remain unknown, were carried. There
in her office was the port for the shipwrecked, there the black hole that
swallowed up the offspring of frailty and shame. And while Mathieu's
spell of waiting continued he saw three poor creatures arrive at the
hospital. One was surely a work-girl, delicate and pretty though she
looked, so thin, so pale too, and with so wild an air that he remembered
a paragraph he had lately read in a newspaper, recounting how another
such girl, after forsaking her child, had thrown herself into the river.
The second seemed to him to be a married woman, some workman's wife, no
doubt, overburdened with children and unable to provide food for another
mouth; while the third was tall, strong, and insolent,--one of those who
bring three or four children to the hospital one after the other. And all
three women plunged in, and he heard them being penned in separate
compartments by an attendant, while he, with stricken heart, realizing
how heavily fate fell on some, still stood there waiting.
[Footnote 7: The "slide" system, which enabled a mother to deposit her
child at the hospital without being seen by those within, ceased to be
employed officially as far back as 1847; but the apparatus was
long preserved intact, and I recollect seeing it in the latter
years of the Second Empire, _cir._ 1867-70, when I was often at
the artists' studios in the neighborhood. The aperture through
which children were deposited in the sliding-box was close to
the little door of which M. Zola speaks.--_Trans._]
When La Couteau at last reappeared with empty arms she said never a word,
and Mathieu put no question to her. Still in silence, they took their
seats in the cab; and only some ten minutes afterwards, when the vehicle
was already rolling through bustling, populous streets, did the woman
begin to laugh. Then, as her companion, still silent and distant, did not
condescend to ask her the cause of her sudden gayety, she ended by saying
aloud:
"Do you know why I am laughing? If I kept you waiting a bit longer, it
was because I met a friend of mine, an attendant in the house, just as I
left the office. She's one of those who put the babies out to nurse in
the provinces.[8] Well, my friend told me that she was going to Rougemont
to-morrow with two other attendants, and that among others they would
certainly have with them the little fellow I had just left at the
hospital."
Public-domain text, read in full here on John Shaqi.
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