Marianne, who was still smiling at the ever-motionless girls in the
closed brougham, changed the subject. "How tall they have grown, how
pretty they have become! Your Andrée looks adorable. How old is your
Lucie now? She will soon be of an age to marry."
"Oh! don't let her hear you," retorted Valentine; "you would make her
burst into tears! She is seventeen, but for sense she isn't twelve. Would
you believe it, she began sobbing this morning and refusing to go to the
wedding, under the pretence that it would make her ill? She is always
talking of convents; we shall have to come to a decision about her.
Andrée, though she is only thirteen, is already much more womanly. But
she is a little stupid, just like a sheep. Her gentleness quite upsets me
at times; it jars on my nerves."
Then Valentine, on the point of getting into her carriage, turned to
shake hands with Marianne, and thought of inquiring after her health.
"Really," said she, "I lose my head at times. I was quite forgetting. And
the baby you're expecting will be your eleventh child, will it now? How
terrible! Still it succeeds with you. And, ah! those poor people whom you
are going to see, their house will be quite empty now."
When the brougham had rolled away it occurred to Mathieu and Marianne
that before seeing the Beauchênes it might be advisable for them to call
at the little pavilion, where their son or their daughter-in-law might be
able to give them some useful information. But neither Blaise nor
Charlotte was there. They found only a servant who was watching over the
little girl, Berthe. This servant declared that she had not seen Monsieur
Blaise since the previous day, for he had remained at the Beauchênes'
near the body. And as for Madame, she also had gone there early that
morning, and had left instructions that Berthe was to be brought to her
at noon, in order that she might not have to come back to give her the
breast. Then, as Marianne in surprise began to put some questions, the
girl explained matters: "Madame took a box of drawing materials with her.
I fancy that she is painting a portrait of the poor young man who is
dead."
Public-domain text, read in full here on John Shaqi.
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