We will explain this reasoning. Looking at a painting, I receive an impression coming from many different points; and this impression, it must be observed, comes uninterruptedly from the whole surface presented. If, as we have shown, the sight of one external point sufficed to convince me of its existence, that of many will make me sure of the existence of many; and the continuity of the impression will also make me certain of the continuity of the impressing points. If I touch the object seen, my touch will confirm that testimony of sight, in what corresponds to it, that is, the multiplicity and continuity, I experience the same continued succession of sensations; and this shows me the existence and continuity of the objects causing them. 48. In a few words, extension supposes the co-existence of many objects, in such a way, however, that they are one by continuation of others: of both, sensation makes us certain: therefore the testimony of the senses suffices to make us certain that there are external objects, and that they may produce various impressions. These ideas contain every thing included in the idea of body: therefore the testimony of the senses makes us certain of the existence of bodies. CHAPTER IX. OBJECTIVENESS OF THE SENSATION OF EXTENSION. 49. Having proved the testimony of the senses sufficient to assure us of the existence of bodies, we now come to examine how far the ideas it makes us form are correct. It is not enough to know that we may be sure of the existence of extension; we must inquire if it in reality be such as the senses represent it; and what we say of extension is applicable to the other properties of bodies. In our opinion, the only sensation that we transfer, and cannot help transferring, to the external, is that of extension; all others relate to objects only as effects to causes, not as copies to originals. Sound, taste, and smell represent nothing resembling the objects causing them, but extension does; we attribute extension to objects, and without it we cannot conceive them. Sound outside of me is not sound, but only a simple vibration of the air, produced by the vibration of a body. Taste outside of me is not taste, but only a body applied to an organ of which it causes a mechanical or chemical modification. The same is true of smell. Even in light and colors, outside of me, there is only a fluid which falls upon a surface, and either directly or reflexly comes, or may come, to my eyes. But extension outside of me, independently of all relation with the senses, is true extension, is something whose existence and nature stand in no need of my senses. When I perceive, or imagine that I perceive it, there is in it, and in my impressions, something besides the relation of an effect to its cause; there is the representation, the internal image of what exists externally.