Furnishing the Home of Good Taste: A Brief Sketch of the Period Styles in Interior Decoration with Suggestions as to Their Employment in the Homes of TodayThroop, Lucy Abbot
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Furnishing the Home of Good Taste: A Brief Sketch of the Period Styles in Interior Decoration with Suggestions as to Their Employment in the Homes of Today
Throop, Lucy Abbot
Interior decoration
French periods of Louis XV and Louis XVI.
[Illustration: The upholstery of this Sheraton chair is fastened on with
brass-headed tacks placed in festoons.]
[Illustration: Notice the curved seat of this Hepplewhite chair.]
[Illustration: The wheel back design was often used by Adam. The arms,
the curve of the seat and carving, the tapering reeded legs, and the
angle of the back legs should all be noticed.]
[Illustration: As Chippendale did not use this style of leg they show
that the chair was probably reconstructed from two old chairs.]
If one wishes a house furnished in the Gothic period it will be
necessary to have nearly all the different pieces made to order, as
there are few reproductions made. As our modern necessities of furniture
were not known in those days, the designs would have to be carried out
more in the spirit of the style than the letter, and one must be certain
to have advice and designs from some person who thoroughly understands
the period and who will see that the whole is properly carried out.
Gothic days were rough and strenuous, and the furniture was strong and
heavy and was made chiefly of oak with no varnish of any kind. The
characteristic lines of the furniture and the designs for carving were
architectural, and a careful study of the Gothic cathedrals of France,
Belgium, and England will give a very satisfactory idea of this
wonderful time. The idea of the pointed arch, rose window, trefoil,
quatrefoil, animal grotesques, and geometric designs, as well as the
beautiful linen-fold design, were all adapted for use as carving in the
panels of the furniture of the day, which consisted of chests that
served as seats, buffets, armoires, screens, trestle tables, as well as
the choir stalls of churches.
This style is appropriate to large and dignified country houses. The
architect must see that the background is correct.
The Renaissance period should not be attempted as a style to furnish
one's house unless it can be carried out properly. The house should be
large and architecturally correct, and there should be at least a near
relation of a Fortunatus purse to draw upon. It is one of the
magnificent and dignified periods, and makeshifts and poor copies have a
pitiful appearance and are really time and money wasted.
Public-domain text, read in full here on John Shaqi.
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