Papers cost from about forty cents to several dollars a roll, but the choice is large and attractive between one and three dollars a roll, and there are also excellent ones for eighty-five cents. It is almost impossible, however, to give a satisfactory list of prices as they vary in different parts of the country. The reproductions of old scenic papers of which I have spoken are expensive, costing about one hundred dollars a set, but they may go down again now that the war is over. The difference in expense between paint and paper is not very great, in fact, with the average paper at a dollar or a dollar and a half a roll, paint is about the same, or perhaps a bit cheaper if the walls are in fairly good condition. It is a mistake to use inferior paper, and there should never be more than a lining paper and the paper itself on the wall. In some cases where there is only one paper of soft color on the wall, with no lining paper, this paper may be used as a lining paper if it is absolutely tight and firm. The risk is that the new paste may loosen the old a bit and so let all come down. Old paper must be entirely removed if there are any marred places as they will show through the new and ruin the effect. The amount of wall space and the quality and the quantity of the light are important factors in deciding the color scheme because by using them correctly we can brighten a cheerless, dark room or soften the blaze in a too sunny one. If the light is a cold dreary one from the north, the room will be vastly improved if warm, cheerful colors are used: warm ivory, deep cream color, soft or bright yellow without any greenish tinge in it, soft yellow pinks (there is a hard pink which is very ugly), yellow green (but not olive), and tones of golden tan. It is the dash of yellow in these colors which makes them cheerful and gives the impression of sunlight. Tans should never come too close to brown for a dark room, for nothing is more dreary or hopeless than a room done in that depressing color. The beautiful tones of old oak, or properly treated modern oak paneling, are quite a different matter. Small amounts of red or orange will do wonders, if used with discretion, in brightening a dull room, and are often just what are needed to bring out the beauty of the rest of the scheme; but it is a great mistake to think that red walls and a great deal of red in the hangings and furniture covering will make a cheerful or pleasant room. Red absorbs light and is also an irritant to the eyes and nerves, and, unless it is used with great skill, it is apt to look extremely commonplace and ugly or like an ostentatious hotel or public building. Few of us have large enough houses to make it possible to use red in great amounts, and it is well for the average person to shun it and remember that in ninety-nine cases out of a hundred a red wall will spoil a room.