These mirrors were fashionable during the last quarter of the
eighteenth century, and were made in various sizes, from twelve inches
in diameter to three feet. The eagle formed the most popular ornament
for the top, but many were made with a winged horse, or a sort of
dragon, instead of the eagle. These mirrors were called girandoles,
like others with branches for candles. The girandole in Illustration
380 is owned by the Albany Historical Society.
[Illustration: Illus. 381.—Looking-glass, 1780.]
The looking-glass in Illustration 381 belongs to the writer, and is
in the same style as the glass at the head of Chapter IV, which is
described upon page 384.
[Illustration: Illus. 382.—Looking-glass, 1790.]
The garlands upon this frame are carved in fruit, grapes and plums
with leaves, instead of the laurel which is generally the design, and
the medallion above the frame has a classic head in profile, and is
surmounted by a ribbon bow-knot of three loops. The glass is of quite a
large size.
Illustration 382 shows a looking-glass owned by Mrs. William Preston
of Richmond, Virginia. The upper section of the glass is divided from
the lower by a gilt moulding, and is delicately painted, in black and
gold upon a white ground, with three panels, the middle one having a
classical design. The pyramid-shaped pieces at the top are of painted
glass and from them go chains, held by an eagle above.
[Illustration: Illus. 383.—Hepplewhite Looking-glass, 1790.]
Illustration 383 shows a large and handsome looking-glass made in the
fashion of Hepplewhite’s designs, the fan-shaped ornament below the
glass being quite characteristic of Hepplewhite’s frames. The eagle
at the top holds in his beak chains which extend to the urns upon the
upper corners of the frame.
This looking-glass was made about 1790, and is owned by Mrs. Thomas H.
Gage of Worcester.
A looking-glass made to fit the panel over the mantel is shown in
Illustration 384. This mantel with the looking-glass is in the Nichols
house, in Salem, in a room built in 1783 for a young bride. The upper
part of the frame has the lattice and ornaments in gilt upon a white
ground, and the overhanging cornice has a row of gilt balls beneath it.
The pillars framing the three sections of glass are fluted and bound
with garlands.
Another large looking-glass of a similar design, but of a few years’
later date, is shown in Illustration 385. It is owned by Dwight Blaney,
Esq., and was probably made to fit some space, as it is of unusual
shape and very large.
[Illustration: Illus. 384.—Mantel Glass, 1783.]
Public-domain text, read in full here on John Shaqi.
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