A splendid mahogany secretary owned by Albert S. Rines, Esq., of
Portland, Maine, is shown in Illustration 105. The lower part is bombé
or kettle-shaped, but the drawers, which swell with the shape in
front, do not extend to the corners, like the kettle-shaped bureau in
Illustration 30, but leave a vacant space in the interior, not taken
up at the ends. Three beautiful, flat, reeded columns with Corinthian
capitals are upon the doors, which still hold the old bevelled
looking-glasses. The handles are original, but are not as large as one
usually finds upon such a secretary. There are larger handles upon the
sides, as was the custom. The cabinet in the upper part is very similar
to the one in Illustration 103, but there is no lacquering upon the
curved tops behind the doors. With the thoroughness of workmanship
and dislike of sham which characterized the cabinet-makers of the
eighteenth century, there are fine pieces of mahogany inside at the
back of the looking-glasses. The cabinet in the desk proper, which is
covered by the slanting lid when closed, is unusually good, with the
curved drawers, set also in a curve.
[Illustration: Illus. 105.—Kettle-front Secretary, about 1765.]
This secretary is generous in secret compartments, of which there are
six. The centre panel of the cabinet is the front of a drawer, locked
by a concealed spring, and at the back of this drawer are two secret
drawers; beneath it, by sliding a thin piece of mahogany, another
drawer is disclosed; a fourth is at the top, behind a small drawer, and
at each end of the curved drawers is a secret drawer. The secretary is
over eight feet in height.
[Illustration: Illus. 106.—Block-front Writing-table, 1760-1770.]
[Illustration: Illus. 107.—Serpentine-front Desk, Cabinet Top, 1770.]
Illustration 106 shows a beautiful little piece of furniture, modelled
after what Chippendale calls a writing-table or a bureau table, by the
latter term meaning a bureau desk with a flat top. The same unusually
fine shells are carved upon this as upon the double chest of drawers in
Illustration 21, and upon the low chest of drawers in Illustration 31.
Public-domain text, read in full here on John Shaqi.
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