Sheraton’s designs show chairs with carved, twisted, reeded, or plain
legs. The best Sheraton chairs found in this country usually have
straight legs, slightly smaller than those upon the straight-legged
Chippendale chairs. The tapering, reeded leg, which is characteristic
of Sheraton, is not found so often upon his chairs as upon other pieces
of furniture.
[Illustration: Illus. 193.—Sheraton Chair.]
[Illustration: Illus. 194.—Sheraton Chair.]
The chair in Illustration 191 is owned by the Misses Nichols of
Salem, and it was brought with its mates to furnish the house built
by McIntire in 1783. The chairs were imported, and as the back is
precisely like one of Sheraton’s designs in his book, they may have
been made by him, before the book was published in 1791.
[Illustration: Illus. 195.—Sheraton Chair.]
The impression given by this chair is of strength combined with
lightness, the effect which Sheraton strove to attain, while at the
same time he made the chairs strong not only in effect but in reality,
an end which Hepplewhite did not accomplish. The legs of the chair are
plainly turned, but in the original design they are reeded.
[Illustration: Illus. 196.—Sheraton Chair.]
Illustration 192 shows two Sheraton chairs owned by Francis H. Bigelow,
Esq. It will be seen that the carving in the back is similar in design
to that of Hepplewhite chairs, and the carving and shape of the upper
part of the chair-back with the curved top rail is often seen upon
Hepplewhite’s “bar-back” chairs.
[Illustration: Illus. 197.—Sheraton Chair.]
Mr. Bigelow also owns the upholstered arm-chair in Illustration 193,
sometimes called a Martha Washington easy-chair, from a similar chair
at Mount Vernon. This chair and one in Illustration 194, which belongs
to Mr. Bigelow, are after the Sheraton style, although these designs do
not appear in Sheraton’s books.
[Illustration: Illus. 198.—Painted Sheraton Chair, 1810-1815.]
The arm-chair in Illustration 194 is said to have belonged to Jerome
Bonaparte, but as Lucien and Joseph Bonaparte both had residences in
this country, it would more probably have been owned by one of them
rather than by Jerome, whose career in America was short and meteoric.
The wood of this chair is cherry, said to have grown upon the island
of Corsica, and the style of the back, while upon the Sheraton order,
differs from any of Sheraton’s designs.
The chair in Illustration 195 belongs to Walter Bowne Lawrence, Esq.,
of Flushing, Long Island. It is one of the finest types of a Sheraton
chair. The front legs end in what Hepplewhite called a “spade foot,”
which was frequently employed by him and occasionally by Sheraton.
Illustration 196 shows a Sheraton chair owned by Mrs. E. A. Morse of
Worcester. The top bar is carved with graceful festoons of drapery, and
the back is in a design which is often seen.
[Illustration: Illus. 199.—Late Mahogany Chairs, 1830-1845.]
Public-domain text, read in full here on John Shaqi.
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