Further Adventures of Quincy Adams Sawyer and Mason Corner FolksPidgin, Charles Felton
General
Further Adventures of Quincy Adams Sawyer and Mason Corner Folks
Pidgin, Charles Felton
New England -- Fiction
When they reached Vertano but three days remained before the departure
of Mr. Wallingford and his orchestra for Paris, but during that time
there were drives through the beautiful country, boat rides upon the
lake, rehearsals by the orchestra and the performance of an operetta
written by Mr. Wallingford in which he, his wife, and seven children
took part.
“Shall we go to Paris?” asked Alice.
“Certainly,” said Quincy. “We owe Mr. Wallingford the return courtesy of
our attendance at his six concerts.”
The trip across the channel did not possess so many terrors for Alice
with her husband and son for company, but she was glad when they stepped
upon land at Dover.
“I shall never love the water,” she said.
They reached London in the afternoon too late to take the train for
Heathfield in which town Fernborough Hall was situated. A telegram was
sent to Aunt Ella informing her of their safe arrival in London, and
that they would be with her the next day.
“What can I do to amuse you this evening, Alice?”
“Sit down and let me look at you, I have so much time to make up.”
“They give _Martha_ at the opera to-night--it is my favourite--full of
the sweetest melodies in which I substitute Alice for Martha. Quincy and
Tom would like to go, and I have another reason which I will tell you
after the first act.”
Alice's curiosity was aroused and she expressed her desire to go. After
the first act, Alice turned an inquisitive face to her husband.
“What was your other reason for coming here to-night?”
“Don't you think Catessa is a fine tenor?”
“He has the most beautiful voice I ever heard,” Alice replied.
“I know him. He is an old friend of mine. I'm going behind the scenes to
congratulate him personally.”
“Did you meet him in Italy?”
“No--in Fernborough, Massachusetts.”
“Why, Quincy, what _do_ you mean? There were no Italians in
Fernborough.”
“He is not an Italian. He's a Yankee. Look at his name.”
“That's Italian surely.”
“It's only his Yankee name transposed. Aren't you good on anagrams?”
“Certainly, I'm not. Please tell me.”
“Do you remember a young man in Fernborough with consumption whom I sent
to a sanatorium in New York?”
“Yes, Mr. Scates.”
“You've hit it. Mr. Arthur Scates, or A. Scates for short. Now look at
that Italian name again.”
“I am doing so, and it looks just as foreign as ever.”
“Agreed, but Catessa contains just the same letters as A. Scates, only
they are arranged differently.”
After the second act, Quincy visited Mr. Scates in his dressing room.
The tenor insisted on Quincy and his party taking supper with him at
his hotel after the opera. He offered to repay the cost of his treatment
with interest.
“No,” said Quincy, “I do not need it, and will not take it. Use it to
help some poor artist.”
It was one o'clock when Quincy and his party reached their hotel.
“Did you enjoy yourself, Alice?”
“I had a delightful evening. But how happy you must feel to know that
your money saved such a precious life.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account