Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No TitleMeans, E. K. (Eldred Kurtz)
General
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
“I don’t see no reason fer gittin’ sour an’ ugly, brudders,” Mustard
began. “Nobody ain’t gwine lose much ef he don’t git elected presidunt
of de league. In de last year I ain’t got nothin’ fer my presidunt job
but a cuss-word eve’y time I do somepin dat don’t please nobody. Of
co’se I wants to keep on wid dis job an’ hopes you won’t fergit to vote
fer me. Pap Curtain says he’s a corn-fiel’, cotton-fiel’ nigger, but dar
ain’t no man, white ner black, dat ever seed him wuckin’ in no kind of
fiel’ as a country nigger oughter do. He lives in dis town, an’ he owns
his house in dis town. As you-all knows, I’s a real country nigger,
never did live in town, an’ I been de overseer of Marse Tom’s plantation
fer twenty year. I tries to stand by de high notions of de Uplift. I
preaches dat a feller ought to dress up in work clothes when he wucks,
an’ put on his compan’y clothes when he goes out in sawciety, an’ wear
his Sunday clothes at de lodge an’ de fun’ral an’ de meetin’-house——”
At this point the apple-eating adherent of Pap Curtain had consumed his
apple to the core. He balanced it on his thumb as a child prepares to
shoot a marble, and flicked it across the room, where it landed on the
top of Mustard Prophet’s bald head.
Mustard Prophet stepped down from the chair on which he was standing,
walked quietly across the room, laid hold of the collar of the offender,
kicked his shins, punched his jaw, then turned him around and booted him
across the room.
It was no more than the offender deserved, but he offered all the
resistance and counter-offensive in his power, and while this was going
on someone slipped behind Mustard and administered a lusty and
soul-satisfying kick to him.
The notion became contagious. The two forces joined in combat, but,
strange to say, they did not fight with fists, but with feet.
“Look at dat!” Little Bit exclaimed, as he scrambled to a safe place on
the top of the bar, where he danced up and down in his high-heeled
pumps. “Eve’ybody is tryin’ to kick eve’ybody else!”
In a moment the crowd was so cramped for room that they had to abandon
that mode of combat and began to fight with their fists. They milled
around and around, pounding, scrouging, punching with elbows, while
their voices rose in a mighty diaphony of imprecation and abuse.
“Lawd! Lawd!” Little Bit exclaimed in a prayerful voice from his place
of safety on the bar. “Eve’ybody is tryin’ to hit eve’ybody else!”
In the fury of battle the men sought other weapons and found the
numerous chairs most convenient. In the jam they found it impossible to
swing the chairs and hit with them, so they held the chairs before them,
as a lion-tamer does, and charged their opponents, holding their heads
low to avoid being clubbed. The resemblance to a lot of milling, horning
cattle struck Little Bit at once, and from his vantage-point upon the
bar he announced the procedure:
“Eve’y bully is tryin’ to hook eve’ybody else!”
Public-domain text, read in full here on John Shaqi.
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