Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No TitleMeans, E. K. (Eldred Kurtz)
General
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
The toe of his boot struck Conko Mukes on the point of the chin. The man
staggered, stumbled, and fell as a rotten log falls in the forest. Eight
of his friends stubbed their toes on him, stepped on him, fell on him,
then picked him up, brushed off his clothes, and led him away.
The train moved through the darkness like a long serpent with shining,
jeweled sides. Skeeter entered the car and sat down, smiling.
------------------------------------------------------------------------
A Chariot of Fire
I
SKY PILOT
The man traveling through the Louisiana swamps is often appalled by the
deathlike stillness of the woods.
Slimy creatures crawl in the muck under his feet without a croak or
hiss. Gaudy birds fly from living trees to dead, gaunt stumps without a
note of music. The fox and wolf which sometimes make the woods vocal
with their barking, slink away at the approach of man in silence. The
whole place seems to be engaged in the deepest conspiracy to accomplish
something which the slightest sound would disturb or frustrate.
Generally, a negro walking through the woods alone will bawl a song at
the top of his voice. For some reason he feels that there is safety in
sound, just as the Chinaman beats a tin pan to chase the devil away. But
no negro ever has the courage to shatter one of these conspiracies of
silence when he finds it in the swamp. If everything else begins to make
a racket, he will, too. But he won’t start anything.
Which accounts for the fact that two negroes, not two hundred yards
apart, were walking through the Little Moccasin Swamp, and were unaware
of each other’s presence.
One negro was troubled. He stopped, removed his high silk hat, and
mopped the sweat from the top of his bald head. He lowered his head and
listened, then he raised his head and listened. For a moment he thought
he heard something, then he found the silence more intense than ever.
“Dar’s somepin gittin’ ready to happen aroun’ dis woods,” he whispered
to himself. “I been listenin’ in dese here swamps all my life, but I
ain’t never heard no sound like dat ontil now.”
He squatted behind a stump and peered anxiously about him. Great trees
of the primeval forest reared themselves above him, skirted and frocked
like a Druid priest with the funereal moss. Under the wide-spreading
branches of these trees long corridors ran in every direction like the
floral avenues through some giant hot-house conservatory. Nothing moved,
no sound could be heard under those majestic arches of the forest.
Public-domain text, read in full here on John Shaqi.
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