Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No TitleMeans, E. K. (Eldred Kurtz)
General
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
Almost instantly in the reception room there was a sound like the
delivery of a ton of coal——
Skeeter Butts had fallen down-stairs!
Hopey Prophet, hearing all the commotion, started from the pantry to see
what it was about; glancing across the back hall into Colonel Tom
Gaitskill’s office, she beheld a strange negro man with a broad grin on
his black face, hugging a Hallelujah Ham to his bosom!
She hurled herself into the dining-room among the astounded guests, her
fat arms stretched up toward the ceiling, her dough-like face ashen with
fright as she bawled at the top of her voice:
“Fer Gade ’lmighty’s sake, white folks! Dar’s a big nigger man in Marse
Tom’s library!”
When Mustard Prophet heard Dazzle’s scream of fright, he rushed from a
little side porch where he was waiting to serve the cream when they were
ready, taking a pistol from his pocket as he ran. There had been no
doubt in Mustard’s mind that he had really seen an alligator in the
orchard the day before and he had armed himself for protection in case
he saw it again.
But before Mustard got to the kitchen, he heard the sound made by
Skeeter Butts in his tumble down the front stairs, so he changed his
course and started in that direction.
Just as Mustard arrived in the reception room, he heard Hopey’s wild
whoop and her statement that a strange negro was in the library. So
Mustard ran across the drawing-room floor, pushed open the folding doors
and entered the library, knocking over in his haste a cardboard
representation of a negro man who stood holding a Hallelujah Ham to his
bosom. Approaching from the rear of this figure, Mustard could not see
what it was. It fell face downward and nobody recognized it.
Captain Kerley Kerlerac hastily excused himself from the table, stepped
into the back hall on his way to the library. Looking about for a
suitable weapon, he laid hold upon Orren’s baseball bat standing in the
corner.
He entered the library through one door just as Mustard entered it
through the other. Kerlerac closed his door behind him, thus shutting
out the light from the little back hall by which Hopey had been able to
see the cardboard figure, and which would have shown Kerlerac that the
negro was Mustard whom he confronted. But Kerlerac was in the dark, and
Mustard had the light from the drawing-room behind him. What Kerlerac
saw was a big negro with a big pistol in his hand.
The battle began at once!
Mustard shot ten times at Captain Kerlerac, the bullets flying in every
direction. Three of them entered the dining-room among the guests,
having no effect except to splash the diners out of that room, like a
brick splashes water when dropped into a puddle of mud!
The last bullet in Mustard’s pistol skimmed along the cheek of Kerlerac,
making a long, painful cut, just under the lobe of his ear, adding one
more bullet wound to the two he had previously received when he was
fighting for Uncle Sam in the world war.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account