Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No TitleMeans, E. K. (Eldred Kurtz)
General
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
Dazzle was angry. She glared at Hopey with fine rage, and tried to think
of something to say that would crush the fat woman flat. But nothing but
a falling planet would ever flatten Hopey, so that young colored actress
with several histrionic manifestations of intense indignation flounced
out of the room, followed by the exasperating chuckles of the victorious
Hopey Prophet.
In the rear hallway Dazzle paused at sight of the telephone. Her
milk-white teeth gnawed at her lower lip as she debated something in her
mind. Then, with an air of decision, she sat down at the desk and lifted
the receiver from the hook.
“Central, I wants to talk to de Hen-Scratch saloon, please, ma’am!”
After a moment’s wait something popped in her ear, and a voice spoke:
“Hello!”
“Is dat you, Skeeter Butts? Listen! Dis here am Dazzle Zenor. I’s at
Marse Tom Gaitskill’s home wid Hopey Prophet. Somebody is tryin’ to
bu’st in dis house an’ rob it——”
A squealing shriek sounded so sharply in Dazzle’s ear that she jerked
her head away from the receiver, ceased speaking, and waited until the
vocal disturbances had subsided.
“Dey is tryin’ to bu’st in de front door, Skeeter!” Dazzle told him. “Me
an’ Hopey lef’ de kitchen door onlocked so Vinegar Atts could come in
when he got back. Ef dem robbers goes aroun’ to de back side de house,
dey’ll shore git in. Come up here right away an’ rescue us!”
A squealing interrogation sounded through the phone, and Dazzle smiled
as she answered:
“Dar ain’t more’n seven robbers, Skeeter. But you kin lick ’em like you
done in de army. Don’t git skeart!”
Although Skeeter’s reply was not intelligible, his shrieking voice, in
reply, was audible even in the drawing-room, where Hopey sat shaking
like a jelly-bowl with laughter.
“Come all alone by yo’se’f, Skeeter!” Dazzle implored him. “Us don’t
want no crowd up here an’ no excitemunt. Don’t tell no white folks!”
Dazzle paused to listen to a few more excited squawkings from the
telephone, then she commanded:
“Come by yo’se’f, an’ come in a hurry, befo’ I gits kilt! Fer Gawd’s
sake, hurry, Skeeter!”
She left the telephone and entered the room where Hopey sat, smiling
with great satisfaction.
“You done played a fool now!” Hopey told her.
Dazzle preened herself before a mirror in preparation for Skeeter’s
arrival.
“Skeeter’s comin’, Hopey,” Dazzle giggled. “’Tain’t no matter how big a
coward a feller is, he’s afraid to cornfess dat he’s a ’fraid-cat!”
II
Skeeter Butts hung up the receiver at his end of the line and staggered
across the Hen-Scratch saloon. His face was convulsed, and the odd
distortions due to the contraction and relaxation of its muscles would
lead one to believe that an electric shock received over the telephone
had twisted his face and he was trying to set it right.
Public-domain text, read in full here on John Shaqi.
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