Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No TitleMeans, E. K. (Eldred Kurtz)
General
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
“White folks!” Vinegar Atts bawled as he was pushed into the light
through a crowd of men. “Whut done happened to Marse Tom’s house?”
“Where have you been?” Flournoy snapped.
“Jes’ got back from a chu’ch religious meetin’,” Vinegar explained.
“Marse Tom lef’ me an’ Hopey in charge of dis house, an’ he ain’t gwine
approve his lawn gittin’ trompled up wid white folks.”
“Somebody tried to rob this house while you were away,” Flournoy told
him.
Vinegar’s eyes opened until they glowed in the light from the porch like
two china door-knobs.
“Did you-all good white folks ketch de robber?”
“No.”
“Did de robber steal anything?”
“No.”
“Whar is Hopey at?”
“The robber may have kidnapped her.”
“You’s prankin’ wid me, Marse John,” Vinegar howled. “Dar ain’t no one
robber could kidnack Hopey. Dat wus a _band_ of robbers—I surmises about
fawty in de gang.”
Vinegar fumbled with his hat, and his breath came and went in labored
gasps.
“I’m glad de robbers never stole nothin’,” he sighed. “Dat house am
plum’ full of pretty doodads, an’ ef Marse Tom wus to come home an’ find
dem rooms empty, I’d hab to _esplain_ to him. An’ Marse Tom cain’t
onderstand nothin’—when a nigger esplains.”
Vinegar shook his head in great perplexity over this particular white
man’s mental fulness. One of the mysteries of his life was that he had
never put anything across with Colonel Gaitskill. He knew the end from
the beginning, and all the ramifications thereof, and with him,
Vinegar’s explanations never explained. They merely caused
complications.
“Whut is us gwine do now, Marse John?” he asked.
“I’m going to leave you to guard this house until daylight,” Flournoy
told him. “Then I’ll come and examine it more carefully.”
“I ain’t got to guard it from de inside, is I, Marse John?” Vinegar
asked in frightened tones.
“Yes—no, I think you had better stay outside,” Flournoy replied in a
meditative tone. “If you go inside, you’ll go to sleep. If you stay out,
the weather is ’most too cool to sleep comfortably, and you will have
intervals of wakefulness.”
“I ain’t gwine sleep wid no band of burglars trapesin’ aroun’,” Vinegar
assured him stoutly. “But I’ll feel a whole heap safer on de outside.”
“I’ll leave an automatic shotgun and two pistols with you, Vinegar,”
Flournoy said. “Now you sit down by that tree over there and keep watch.
Hear me?”
“I prefers to stand up an’ keep watch, Marse John,” Vinegar said as he
placed the two pistols in his pocket and reached out for the gun. “I
never could shoot good settin’ down.”
“You can’t run good settin’ down, either, can you?” Flournoy said
mockingly.
“Naw, suh, I cain’t git a real good runnin’ start,” Vinegar chuckled.
“If you see anybody, don’t you run—you shoot!” Flournoy snapped. “But
don’t shoot until we all get off this lot.”
“Dis here powder an’ shot don’t cost me nothin’,” Vinegar grinned. “I’ll
shore shoot—but I ain’t sayin’ dat I won’t run. My religium teaches me
to exoncise discretion.”
Public-domain text, read in full here on John Shaqi.
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