Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No TitleMeans, E. K. (Eldred Kurtz)
General
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
“How we gwine git dis old fool woked up?” Skeeter snapped.
“Take a brick off de top of de chimney an’ throw it down at him,” Little
Bit suggested.
They wrenched off a brick and threw it. It hit the ground with a loud
slap. Vinegar slept on.
“I knowed dat would be de come-out,” Hitch grumbled. “Bricks won’t wake
up a nigger onless dey land on his head!”
“Whut we gwine do?” Skeeter wailed. “I never wus as tired roostin’ on a
roof in my life.”
Nobody answered, and there was silence while all pondered the problem.
The next suggestion came from Figger Bush.
“I read in a book about a man dat escaped out of jail by tyin’ his
clothes togedder an’ makin’ a rope. Mebbe ef we tear up our clothes an’
make a rope an’ let Little Bit down to de groun’——”
“Who—_me?_” Little Bit demanded. “Naw! But I’ll he’p hold de rope while
Hitch Diamond climbs down.”
“I got de idear, niggers!” Pap Curtain put in. “Less set somepin on fire
an’ throw it down by de side of Vinegar. Dat’ll wake him up all right,
an’ it’ll gib a good light fer him to see his friends by.”
“How come you didn’t think of dat sooner, Pap?” Skeeter asked, as he
removed his coat and began to pull off his shirt. “I contributes my
shirt fer de blaze!”
Thereupon they tied Skeeter’s shirt into a tight wad, struck a match,
and set fire to it. When the blaze grew strong, they tossed it over the
edge of the roof.
Their aim was good—too good. When Vinegar waked up he found the lawn
glowing with light, and throwing fantastic shadows upon the sides of the
house—shadows that resembled giant figures, figures which possessed hoof
and wing and beak and claw and forked tail and leering looks and
sneering mouths, all the malice of deformity. And he also saw that the
rear portion of his swing-tail preaching coat was on fire!
Then he split the silence of the night with a cry which makes every
nerve quiver whenever it is heard. Vinegar’s voice had been trained for
vociferation by years of exercise in calling for strayed hogs in the
swamp, by preaching to somnolent negroes to whom his voice must carry
through slumberland, and by camp-meeting singing where sound took the
place of symphony. That cry was louder than any human voice had ever
uttered in Tickfall:
“Fie-ur-r! Fie-ur-r! Fie-ur-r!”
Smothering the fire on the tail of his Prince Albert coat with his
hands, Vinegar seized his automatic shotgun and fired six times in the
air. Then he emptied two automatic pistols into the circumambient
atmosphere, and above all the roar of his artillery he continued to
bellow:
“Fie-ur-r! Fie-ur-r! Fie-ur-r!”
The night watchman down in the town heard that cry and pulled a pistol
from his pocket, firing six times in the air. Running into the
court-house, he pulled frantically at the bell-rope, and the wild
clangor of the alarm reverberated through the empty streets. Then voices
answered:
“Fie-ur-r! Fie-ur-r! Fie-ur-r!”
IV
Public-domain text, read in full here on John Shaqi.
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