Peter trampled among the brambles and swore at them because they caught his legs. He saw nothing beautiful in their foliage. It was too common for him to admire. The colours had been like that the year before; they would be the same the year after. Peter appreciated bluebells and primroses because they were soft to walk upon; but the blood-red "brimmles" only pricked his legs and made him stumble; and the golden bracken was only of use in the cow-shed, or in his hut as a floor-litter; and the gracious heather was only good for stuffing mattresses; and the guinea-gold gorse would have been an encumbrance upon the side of the moor had it not been so useful as a thatch for his hut, and a fence for his garden, and a mud-scraper for his boots. Peter, though very much below the ordinary moorman, was artistically like them all--insensible to beauty which is not of the flesh. Not a Dartmoor commoner would pause a moment to regard the sun setting and glowing in a mist upon the tors. Yet a Cornish fisherman would; and a Norman peasant perhaps would take off his hat and cross himself, not so much with a sense of religion, as because there is something in his mind which can respond to the beauty and poetry and romance of the sun in a mist. Possibly, with the Dartmoor commoner, it is his religion which is to blame. His faith is as dark and ugly as the bottom of a well. The Cornish fisherman has his Cymric blood, his instincts, his knowledge of folklore, to help him through. The Norman peasant has the daily help of gleaming vestments, glowing candles, clouds of sun-tinted incense--pretty follies perhaps, but still pretty--the ritual of his mass, and the Angelus bell. But the Dartmoor commoner has little but his hell-fire.