Somehow Aubrey had never appeared as a perfectly distinct personality to
Boodles. Her love was in a mist. He seemed to have come into her life in
a god-like sort of way, to have dropped upon her as a child like rain
from the clouds, saying: "You thought of me, and I have come." While she
went on thinking of him he would remain, but directly she ceased to
think he would vanish again. They had simply come together as children
and walked about; and now they were grown up children still walking
about; and they felt they would like to grow up a little more, then stop
growing, but still go on walking about. First love is a marvellous dose
of fern-seed. They were content to look at one another, and while two
young people remain in that state the gods can give them nothing. But
Boodles was going on with her song: "You are going away, Aubrey. You are
going away." There was a gate at the end of the wood, and it was
something more than the gate of the wood. It opened only one way.
Aubrey loved the little girl. He was steadier than most young men and
less fickle than most. Even when he was away from Boodles he did not
forget her, and when they were together she absorbed him. She was so
fresh. He had never met any girl with a tithe of her wonderful
spring-like freshness, which suggested the sweet earth covered with
flowers and steaming after a shower of warm rain. Boodles seemed to him
to be composed of this warm earth, sunshine and rain, with the beauty
and sweetness of the flowers added. She had taken him when young, and
planted him in her warm little heart, and tended him so carefully that
he could not help growing there; and he could not be torn up, for that
would have lacerated the heart; the roots were down so deep; and he
might not bear transplanting. First love thinks such things, and it is
good for the lovers. Life gives them nothing else to equal it.
Public-domain text, read in full here on John Shaqi.
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