Although they were only at the beginning of the story they were already slapping over the pages, anxious to reach the "lived happily ever after" conclusion. Young people are always wanting to hurry on; middle-aged to marktime; old to look back. The freshness of life is contained in the first chapter. Youth is a time of unnatural strength, of insanity, a dancing-round-the-may-pole sort of time. Common-sense begins to come when one has grandchildren. Boodles and Aubrey wandered a thousand times in love's fairyland on the romantic banks of the rattling Tavy, and knew as much during their last walk as upon the first; knew they were in love cleanly and honestly; knew that the joy of life was no myth; but knowing nothing, either of them, concerning Giant Despair, who has his mantle trimmed with lovers' hearts, or the history of the fair maid of Astolat, or the existence of Castle Dolorous. Love is largely a pleasure of the imagination, thus a fairy-tale, and sound practical knowledge sweeps the romance of it all away. The whole of that folly--if the only real ecstatic bliss of life which is called first love be folly--seemed gone for ever. Aubrey was packed off to do his part in upholding the honour of Boodlesland, as his country named itself in his thoughts; and the years that intervened discovered him probably kissing girls of all complexions, girls with every shade of hair conceivable, girls with freckles and without; and being kissed by them. Boys must have their natural food, and if the best quality be not obtainable they must take what offers. In the interval Boodles remained entirely unkissed, and received no letters. She wasn't surprised. His love had been too fierce. It had blazed up, burnt her, and gone out. Aubrey had forgotten her; forgotten those wonderful walks in Tavyland; forgotten her radiant head and golden freckles. It was all over, that romance of two babies. It was Boodles who did not forget; Boodles who had the wet pillow sometimes; Boodles who was constant like the gorse, which is in flower all the year round. No one would call the ordinary Dartmoor postman an angel--his appearance is too much against him--but he does an angel's work. Perhaps there is nothing which quickens the heart of any lonely dweller on the moor so perceptibly as the heavy tread of that red-faced and beer-tainted companion of the goddess of dawn. He leaves curses as well as blessings. He pushes love-letters and bills into the box together. Sometimes he is an hour late, and the miserable watcher frets about the house. Sometimes the wind holds him back. He can be seen struggling against it, and the watcher longs to yoke him to wild horses. There are six precious post-times each week, and the lonely inhabitant of the wilds would not yield one of them to save his soul alive.