"There are writing materials in the other room. Diego will find you there," said Donna Dolores, "and I will rejoin you soon. Thanks." She held out the smallest and brownest of hands. Arthur bent over it for a single moment, and then withdrew with a quickened pulse to the outer room. As the door closed upon him, Donna Dolores folded her fan, threw herself back upon the sofa, and called, in a quick whisper-- "Manuela!" The old woman reappeared with an anxious face and ran towards the sofa. But she was loo late; her mistress had fainted. CHAPTER VII. A LEAF OUT OF THE PAST. Arthur's letter to his partners was a brief explanation of his delay, and closed with the following sentence-- "Search the records for any deed or transfer of the grant from Dr. Devarges." He had scarcely concluded before Diego entered ready for the journey. When he had gone, Arthur waited with some impatience the reappearance of Donna Dolores. To his disappointment, however, only the solemn major-domo strode grimly into the room like a dark-complexioned ghost, and, as it seemed to Arthur, with a strong suggestion of the Commander in "Don Giovanni" in his manner, silently beckoned him to follow to the apartment set aside for his reception. In keeping with the sun-evading instincts of Spanish Californian architecture the room was long, low, and half lighted; the two barred windows on either side of the doorway gave upon the corridor and courtyard below; the opposite wall held only a small narrow, deeply-embrasured loop-hole, through which Arthur could see the vast, glittering, sun-illumined plain beyond. The hard, monotonous, unwinking glare without did not penetrate the monastic gloom of this chamber; even the insane, incessant restlessness of the wind that perpetually beset the bleak walls was unheard and unfelt in the grave, contemplative solitude of this religious cell. Mingled with this grateful asceticism was the quaint contrast of a peculiar Spanish luxuriousness. In a curtained recess an immense mahogany bedstead displayed a yellow satin coverlet profusely embroidered with pink and purple silk flowers. The borders of the sheets and cases of the satin pillows were deeply edged with the finest lace. Beside the bed and before a large armchair heavy rugs of barbaric colours covered the dark wooden floor, and in front of the deep oven-like hearth lay an immense bear-skin. About the hearth hung an ebony and gold crucifix, and, mingled with a few modern engravings, the usual Catholic saints and martyrs occupied the walls. It struck Arthur's observation oddly that the subjects of the secular engravings were snow landscapes. The Hospice of St. Bernard in winter, a pass in the Austrian Tyrol, the Steppes of Russia, a Norwegian plain, all to Arthur's fancy brought the temperature, of the room down considerably. A small water-colour of an Alpine flower touched him so closely that it might have blossomed from his recollection.