"I used to play once, Olly, in a church. They did say that I used
sometimes to fetch that congregation, jest snatch 'em bald-headed, Olly,
but it's a long time ago! There was one hymn in particular that I used
to run on consid'rable--one o' them Masses o' Mozart--one that I heard
_her_ sing, Olly; it went something like this;" and Jack proceeded to
lift his voice in the praise of Our Lady of Sorrows, with a serene
unconsciousness to his surroundings, and utter absorption in his theme
that would have become the most enthusiastic acolyte. The springs
creaked, the wheels rattled, the mare broke, plunged, and recovered
herself, the slight vehicle swayed from side to side, Olly's hat bruised
and flattened itself against his shoulder, and still Mr. Hamlin sang.
When he had finished he looked down at Olly. She was asleep!
Jack was an artist and an enthusiast, but not unreasonable nor
unforgiving. "It's the whisky," he murmured to himself, in an apologetic
recitation to the air he had just been singing. He changed the reins to
his other hand with infinite caution and gentleness, slowly passed his
disengaged arm round the swaying little figure, until he had drawn the
chip hat and the golden tresses down upon his breast and shoulder. In
this attitude, scarcely moving a muscle lest he should waken the
sleeping child, at midnight he came upon the twinkling lights of
Fiddletown. Here he procured a fresh horse, dispensing with an ostler
and harnessing the animal himself, with such noiseless skill and
quickness that Olly, propped up in the buggy with pillows and blankets
borrowed from the Fiddletown hostelry, slept through it all, nor wakened
even after they were again upon the road, and had begun the long ascent
of the Wingdam turnpike.
It wanted but an hour of daybreak when he reached the summit, and even
then he only slackened his pace when his wheels sank to their hubs in
the beaten dust of the stage road. The darkness of that early hour was
intensified by the gloom of the heavy pine woods through which the red
road threaded its difficult and devious way. It was very still. Hamlin
could hardly hear the dead, muffled plunge of his own horse in the dusty
track before him, and yet once or twice he stopped to listen. His quick
ear detected the sound of voices and the jingle of Mexican spurs,
apparently approaching behind him. Mr. Hamlin knew that he had not
passed any horseman and was for a moment puzzled. But then he recalled
the fact that a few hundred yards beyond, the road was intersected by
the "cut-off" to One Horse Gulch, which, after running parallel with the
Wingdam turnpike for half a mile, crossed it in the forest. The voices
were on that road going the same way. Mr. Hamlin pushed on his horse to
the crossing, and hidden by the darkness and the trunks of the giant
pines, pulled up to let the strangers precede him. In a few moments the
voices were abreast of him and stationary. The horsemen had apparently
halted.
Public-domain text, read in full here on John Shaqi.
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