As he drew rein in the courtyard of the first large adobe dwelling, and
received the grave welcome of a strange but kindly face, he saw around
him everywhere the past unchanged. The sun shone as brightly and
fiercely on the long red tiles of the low roofs, that looked as if they
had been thatched with longitudinal slips of cinnamon, even as it had
shone for the last hundred years; the gaunt wolf-like dogs ran out and
barked at him as their fathers and mothers had barked at the preceding
stranger of twenty years before. There were the few wild half-broken
mustangs tethered by strong riatas before the verandah of the long low
_Fonda_, with the sunlight glittering on their silver trappings; there
were the broad, blank expanses of whitewashed adobe walls, as barren and
guiltless of record as the uneventful days, as monotonous and
expressionless as the staring sky above; there were the white,
dome-shaped towers of the Mission rising above the green of olives and
pear-trees, twisted, gnarled, and knotted with the rheumatism of age;
there was the unchanged strip of narrow white beach, and beyond, the
sea--vast, illimitable, and always the same. The steamers that crept
slowly up the darkening coast line were something remote, unreal and
phantasmal; since the Philippine galleon had left its bleached and
broken ribs in the sand in 1640, no vessel had, in the memory of man,
dropped anchor in the open roadstead below the curving Point of Pines,
and the white walls, and dismounted bronze cannon of the Presidio, that
looked blankly and hopelessly seaward.
Public-domain text, read in full here on John Shaqi.
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