"Bekaze dat's his business--loanin' out a little dab er money here an' a
little dab dar, an' gittin' back double de dab he loant," said Rhody.
"Deyer folks in dis county, which he loant um money, an' now he got all
de prop'ty dey yever had; an' deyer folks right here in dis town, which
he loant um dat ar Conferick money when it want wuff much mo dan
shavin's, an' now dey got ter pay 'im back sho nuff money. I hear 'im
sesso. Oh, dat's him! dat's Silas Tomlin up an' down. You kin take a
thrip an' squeeze it in yo' han' tell it leave a print, an' hol' it up
whar folks kin see it, an' dar you got his pictur'; all it'll need will
be a frame. He done druv Paul 'way fum home."
She spoke with some heat, and really went further than she intended, but
she was swept away by her indignation. She was certain, knowing Paul as
well as she did, that he had left the house in a fit of anger at
something his father had said or done and she was equally as certain
that he would have to be coaxed back.
"Surely you are mistaken," said Eugenia. "It is too ridiculous. Why,
Paul--Mr. Paul is----" She paused and stood there blushing.
"Go on, chile: say it out; don't be shame er me. Nobody can't say
nothin' good 'bout dat boy but what I kin put a lots mo' on what dey er
tellin'. Silas Tomlin done tol' me out'n his own mouf dat Paul went fum
de house vowin' he'd never come back."
Eugenia was so sure that Rhody (after her kind and colour) was
exaggerating, that she refused to be disturbed by the statement. "Why
did you come here hunting for Paul?" the young lady asked.
"Oh, go away, Miss Genia!" exclaimed Rhody, laughing. "'Tain't no needs
er my answerin' dat, kaze you know lots better'n I does."
"Are you very fond of him?" Eugenia inquired.
"Who--_me_? Why, honey, I raised 'im. Sick er well, I nussed 'im fer
long years. I helt 'im in deze arms nights an' nights, when all he had
ter do fer ter leave dis vale wuz ter fetch one gasp an' go. Ef his
daddy had done all dat, he wouldn't 'a' druv de boy fum home."
Alas! how could Rhody, in her ignorance and blindness, probe the
recesses of a soul as reticent as that of Silas Tomlin?
"Oh, don't say he was driven from home!" cried Eugenia, rising and
placing a hand on Rhody's arm. "If you talk that way, other people will
take it up, and it won't be pleasant for Paul."
"Dat sho is a mighty purty han'," exclaimed Rhody enthusiastically,
ignoring the grave advice of the young woman. "I'm gwine ter show
somebody de place whar you laid it, an' I bet you he'll wanter cut de
cloff out an' put it in his alvum."
Eugenia made a pretence of pushing Rhody out of the room, but she was
blushing and smiling. "Well'm, he ain't here, sho, an' here's whar he
oughter be; but I'll fin' 'im dis night an' ef he ain't gwine back home,
I ain't gwine back--you kin put dat down." With that, she bade the young
lady good-night, and went out.
Public-domain text, read in full here on John Shaqi.
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