Gairloch in North-West Ross-Shire: Its Records, Traditions, Inhabitants, and Natural History, with a Guide to Gairloch and Loch Maree, and a Map and IllustrationsDixon, John H. (John Henry)
History
Gairloch in North-West Ross-Shire: Its Records, Traditions, Inhabitants, and Natural History, with a Guide to Gairloch and Loch Maree, and a Map and Illustrations
Dixon, John H. (John Henry)
Gairloch (Scotland) -- Guidebooks; Gairloch (Scotland) -- History; Ross and Cromarty (Scotland) -- History
Meetings, called "ceilidh," used to be frequently held during the long
winter nights of this northern region, when the people gathered in each
others' houses to be entertained by songs, poems, traditions, legends,
and tales of all kinds. At the "ceilidh" the bards, in their character
of "seannachaidhean," were in much request, and we can well imagine how
the popular applause fostered the spirit of the bards and helped to
preserve the old traditions of the Highlands. They say these "ceilidh"
are not yet altogether given up in Gairloch parish.
Pipe music dates back at least as far as the fourteenth century, and
probably much farther. Mr Robertson Macdonald of Kinloch-moidart wrote
to the _Scotsman_ a few years ago, stating that he had the chanter and
blowpipe of bagpipes which he believed to be older than a bagpipe
reported at a meeting of the Society of Antiquaries of Scotland to bear
the date of 1409. Mr Macdonald's relics were given in the end of last
century to his maternal uncle, Donald Macdonald of Kinloch-moidart, by
the Macintyres, who were the hereditary pipers to the Clanranald branch
of the Macdonalds, as they were on the point of emigrating to America;
they said the Macdonalds had followed the inspiring strains of these
bagpipes into the battle of Bannockburn, 24th June 1314.
The vocation of the pipers, who had gradually displaced the more ancient
harpers, corresponded very closely with that of the bards. Like the
bards, they accompanied their clansmen to battle. On all social
occasions they played their stately pibrochs, or thrilling marches, or
lively reels and jigs; weddings and funerals were always attended by
pipers, who moved the assembled companies with their stirring strains.
Most of the chiefs had their family pipers, and the office was often
hereditary. The Mackays were the hereditary pipers of the lairds of
Gairloch (see next chapter) during the seventeenth and eighteenth
centuries, and were well rewarded by their patrons. The MacCrimmons of
Dunvegan, Skye, were the great teachers of pipe music in the north up to
a recent period; they held their lands from Macleod of Macleod, in
return for their attendance on his person and family.
In these modern days pipers are still numerous in Gairloch, and still
enliven many a wedding party with their music. The Gairloch volunteers
have their efficient pipers, who in tartan array play many a lively air
as their comrades move in column, and who accompany the march-past on
review days to the favourite tune of "Highland Laddie." Highlanders
march with lighter tread, more spirited step, and more accurate time, to
the music of the bagpipes than to any other.
The strains of the great Highland bagpipes, when played indoors, often
sound harsh and shrill to the unaccustomed ear, but they never do to the
Highlander, who to this day prefers the pipes to all other music. Their
effect on the Highland soldier, in the presence of the foe, is too well
known to need description here.
Public-domain text, read in full here on John Shaqi.
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