The rapids are bad for traffic, but charming for travellers; and what
is a little revenue more or less, to a sensation? There is not danger
enough to awaken terror, but there is enough to require vigilance; just
enough to exhilarate, to flush the cheek, to brighten the eye, to
quicken the breath; just enough for spice and sauce and salt; just
enough for you to play at storm and shipwreck, and heroism in danger.
The rocking and splashing of the early rapids is mere fun; but when you
get on, when the steamer slackens speed, and a skiff puts off from
shore, and an Indian pilot comes on board, and mounts to the
pilot-house, you begin to feel that matters are getting serious. But
the pilot is chatting carelessly with two or three bystanders, so it
cannot be much. Ah! this sudden cessation of something! This
unnatural quiet. The machinery has stopped. What! the boat is rushing
straight on to the banks. H-w-k! A whole shower of spray is dashed
into our faces. Little shrieks and laughter, and a sudden hopping up
from stools, and a sudden retreat from the railing to the centre of the
deck. Staggering, quivering, aghast, the boat reels and careens.
Seethe and plunge the angry waters, whirling, foaming, furious. Look
at the pilot. No chatting now, no bystanders, but fixed eyes and firm
lips, every muscle set, every nerve tense. Yes, it is serious.
Serious! close by us, seeming scarcely a yard away, frowns a black
rock. The maddened waves dash up its sullen back, the white,
passionate surf surges into its wrathful jaws. Here, there, before,
behind, black rocks and a wild uproar of waters, through all which
Providence and our pilot lead us safely into the still deep beyond, and
we look into each other's faces and smile.
Public-domain text, read in full here on John Shaqi.
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