"Well," I said, after he had swallowed a wassail-bowl of coffee, and
showed no disposition to go on, "what did you do then?"
"Came in to breakfast."
"Didn't you tell the clerk you would not take his carriage?"
"No."
"Didn't you tell the other man you would take his?"
"No."
"What DID you do?"
"Let it work. Don't be in a hurry. Give a thing time to work."
"And suppose it should work you out of any carriage at all?"
"No danger." And to be sure, when we had finished breakfast, the
three-dollar hack was there awaiting our pleasure. Our pleasure was to
drive out into the British possessions, first around the mountain,
which is quite a mountain for a villa, though nothing to speak of as a
mountain, with several handsome residences on its sides, and a good
many not so handsome; but the mountain is a pet of Montreal, and, as I
said, quite the thing for a cockney mountain. Then we went to the
French Cathedral, which is, I believe, the great gun of ecclesiastical
North America, but it hung fire with me. It was large, but not great.
There was no unity. It was not impressive. It was running over with
frippery,--olla podrida cropping out everywhere. It confused you. It
distracted you. It wearied you. You sighed for somewhat simple,
quiet, restful. The pictures were pronounced poor. I don't know
whether they were or not. I never can tell a picture as a cook tells
her mince-pie meat, by tasting it. One picture is a revealer and one
is a daub; but they are alike to me at first glance. For a picture has
an individuality all its own. You must woo it with tender ardor, or it
will not yield up its heart. The chance look sees only color and
contour; but as you gaze the color glows, the contour throbs, the
hidden soul heaves the inert canvas with the solemn palpitations of
life. Art is dead no longer, but informed with divine vitality. There
is no picture but Hope crowned and radiant, or pale and patient Sorrow,
or the tender sanctity of Love. The landscape of the artist is neither
painting nor nature, but summer fields and rosy sunsets over-flooded
with his own inward light. Only from her Heaven-anointed monarch, man,
can Nature receive her knightly accolade. And shall one detect the
false or recognize the true by the minute-hand? I suppose so, since
some do. But I cannot. People who live among the divinities may know
the goddess, for all her Spartan arms, her naked knee, and knotted
robe; but I, earth-born among earth-born, must needs behold the auroral
blush, the gliding gait, the flowing vestment, and the divine odor of
her purple hair.
Public-domain text, read in full here on John Shaqi.
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