Galicia, the Switzerland of SpainMeakin, Annette M. B.
History
Galicia, the Switzerland of Spain
Meakin, Annette M. B.
Galicia (Spain : Region)
Lopez Ferreiro believes that the capitals of Santiago Cathedral were
completed before the close of the eleventh century, and therefore before
the epoch at which the French capitals attained to their fullest
perfection.[165] Some of them certainly were, but I am a little
sceptical about the best ones. Those which resemble the early capitals
with rude volutes, such as one sees in the White Tower, London (1081
A.D.), might well date from the eleventh century, and those in the
_Puerta de los Platerias_ may be of the same date. But this question is
worthy of more careful study than has yet been devoted to it. Some of
the capitals of the _Pórtico de Gloria_ are very Byzantine in their
execution, as are those of the _Puerta de los Platerias_. Here we see
interlacings, a sort of basket work ornamented with dots like pearl
_passementérie_ and the trumpet pattern, which are certainly indicative
of the sculpture of the Eastern Empire. There is a great deal of this
work in Ireland, and for a long time patriotic Irish archæologists clung
to the belief that these twistings and plaitings and spirals were of
purely Celtic origin and typical of Celtic art,[166] but that idea is
now exploded. “There is no doubt,” writes Miss Stoke,[167] “that in the
history of Christian art in Ireland we see two currents meeting, one
Byzantine the other Latin,” and she then points out that similar
designs, “like regularly plaited twigs,” are to be found in the church
of St. Clement in Rome, which dates from 650 A.D.; where these twigs are
plaited together (a case rare in Ireland) they are intended as a symbol
of the Holy Trinity, the Three in One, as the inscription
_Unitas--Trinitas_ found with it in France indicates.
To any one who is fond of beautiful sculpture a walk round the gallery
which encircles the cathedral of Santiago is nothing short of a delight.
The arches of windows through which we look down into the naves are
supported by carved capitals of the most perfect workmanship; there are
many hundreds of them, and there are not two alike.
Public-domain text, read in full here on John Shaqi.
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