But Viviani was not content with thus piously honouring the memory of the master; in his last will he enjoined on his heirs to erect a splendid monument to him, which was to cost about 4000 scudi, in the Church of Santa Croce.[601] Decades, however, passed after Viviani’s death before his heirs thought of fulfilling his wishes. At length, in 1734, the preliminary steps were taken by an inquiry from the Convent of Santa Croce, whether any decree of the Holy Congregation existed which would forbid the erection of such a monument in the Church? The Inquisitor at Florence immediately inquired of the Holy Office at Rome whether it would be permitted thus to honour a man “who had been condemned for notorious errors.”[602] The opinion of the counsellors of the Holy Office was taken. They said that there was nothing to prevent the erection of the monument, provided the intended inscription were submitted to the Holy Congregation, that they might give such orders about it as they thought proper.[603] This opinion was confirmed by the Congregation of the Holy Office on 16th June, 1734.[604] And so the pompous monument to Galileo, which displayed the tastelessness of the age, and was not completed till four years later, could be raised in the Church of Santa Croce, this pantheon of the Florentines, where they bury their famous dead, and of which Byron finely sings in “Childe Harold”:— “In Santa Croce’s holy precincts lie Ashes which make it holier, dust which is Even in itself an immortality, Though there were nothing save the past, and this, The particle of those sublimities Which have relapsed to chaos:—here repose Angelo’s, Alfieri’s bones, and his, The starry Galileo, with his woes; Here Machiavelli’s earth returned to whence it rose.”[605] On 12th March, 1737, Galileo’s remains were removed, in presence of all the professors of the University of Florence, and many of the learned men of Italy, with great solemnity and ecclesiastical pomp, from their modest resting-place to the new mausoleum in a more worthy place in the Church of Santa Croce itself, and united with those of his last pupil, Viviani.[606]