Children's songs -- United States; Games with music
148. Though played in Great Britain, the game is not (so far as
we know) mentioned by writers.--_French_, Celnart, p. 375
f., "Les Osselets."--_Spanish_, Marin, pp. 80-95, 150-159,
"Juego de las Chinas," "Game of the Stones."--_German_,
Meier, p. 145.--_Japanese_, Tedama, "Hand-balls."
149. Rhymes for counting out are used throughout Europe, and
examples could be cited of types corresponding to most
of the English forms, and sometimes evidently related.
Peculiar is the usage in Spain, where the syllables are told
off alternately on the closed hands of a player, who holds
a pebble; if the last syllable falls on the hand containing
the stone, the lad proving his fortune is free, and so on
until only one child remains. The custom has given a proverb
to the language. Marin, i. 117. A like usage (without the
rhymes) we have found to be the usual way of selection in a
town of Pennsylvania (Bethlehem).
150. First printed in Ritson's "Gammer Gurton's Garland."
Other original versions: (1) Gent.'s Mag., Sept. 1823;
(2), (3) The Critic, Jan. 15, 1857, and (4) Feb. 2, 1857.
The last mentioned is nearly identical with our B. The
communicator of (1) refers it, through an aged informant,
to a lady born in the reign of Charles II.; it has several
more verses than the last, generally agreeing with our E,
but lacks the ending. The rhyme, in England, appears at
present to be known as a song only. The European rhyme is
properly a dialogue, the verses being sung alternately by
the warders and the approaching party; the former, whose
joined and lowered arms represent the fallen bridge, do
not elevate them until the negotiations are concluded.
The game is, no doubt, that mentioned under the name of
"Coda Romana," by G. Villani, Istorie Fiorent., A.D.
1328, ch. xcvi., as played by the boys of Florence, in
which the question put to the imprisoned player is said
to have been, "Guelf or Ghibelline?"--_German_, Meier, p.
101 (cited), etc. Mannhardt in Zeitschr. f. d. Myth., iv.
301-320, gives twenty-seven versions, including _Slavic_,
_Hungarian_, _Scandinavian_.--_Swedish_, Arwiddson, iii.
250.--_French_, Chabreul, p. 117, "Le Ciel et l'Enfer."
Celnart, p. 52, 'Le Pontlevis.'--_Italian_, Bernoni, p. 46,
"Le Porte." Corazzini, pp. 90-93; p. 87 (a mixed form with
No. 154).--_Spanish_, A. de Ledesma, A.D. 1605, beginning
"Fallen is the bridge." See Marin, i. 166-168.--For the
English rhyme, see also N. and Q., 1st Ser. II. p. 338.
Public-domain text, read in full here on John Shaqi.
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