Garcia the Centenarian and His Times: Being a Memoir of Manuel Garcia's Life and Labours for the Advancement of Music and ScienceMackinlay, M. (Malcolm) Sterling
History
Garcia the Centenarian and His Times: Being a Memoir of Manuel Garcia's Life and Labours for the Advancement of Music and Science
The second episode took place shortly after the maestro had entered his
ninetieth year,--an event which was celebrated at the Royal Academy of
Music by the gift of a silver tea service, subscribed to by the
professors of the R.A.M., the actual presentation being made by Walter
Macfarren, as _doyen_ of the teaching staff.
Some two months after this--that is to say, in the May of 1894--Hermann
Klein received a letter from the veteran teacher, who a few days before
had attended a dinner given at his house in honour of Paderewski, the
other invited guests being Sir Arthur Sullivan, Sir Joseph Barnby, Sir
A. C. Mackenzie, Signor Piatti, and other prominent musicians. The
maestro, it may be mentioned, had never heard Paderewski play in private
before, and was so enchanted when the latter sat down at the piano, that
he remained listening to the music till past midnight. "A worthy
successor to Rubinstein." This was his criticism of Paderewski's genius.
The letter ran as follows:--
"MON ABRI," CRICKLEWOOD.
DEAR MR KLEIN,--I want to know the cost of printing music, and in
this connection would ask you to write answers to the four
questions contained in the enclosed card. I suppose that in England
or in France the ream consists of 500 sheets?
Excuse my troubling you, and believe me your very sincere
M. GARCIA.
Your evening was charming!
Hermann Klein answered the questions in person, and thus quickly
discovered the nature of the scheme that was afoot.
Manuel Garcia in his ninetieth year intended to bring out another
text-book on Singing. His old pupil at once offered to assist in the
editing and arrangement of the MS., and the maestro readily accepted
the proffered help. I will leave Mr Klein to continue the story.
"For several weeks in succession I went to 'Mon Abri' regularly, to aid
him in the work. On two points he insisted--namely, the 'catechism' form
of the text, and the title, 'Hints on Singing,' which I candidly
confessed I did not care for. Otherwise any little suggestion that I
made was cordially agreed to. He was very careful about the signing of
the contract with the publishers (Messrs Ascherberg), and on this point
wrote as follows:--
_Translation_.
'MON ABRI,' Monday, May 7.
DEAR MR KLEIN,--I have thought that at the reading of the contract
between Mr Ascherberg and myself, if it were to be immediately
followed by the signing, we should not have time completely to
understand the clauses. As these doubtless will contain the details
regarding the Colonial, American, and foreign rights, it is
preferable that we should know in advance what the terms are, and
we should be very much obliged to Mr Ascherberg if he would be so
kind as to send us on a copy of the contract. We will send it back
to him any day that may suit you.--Mille amitiés!
M. GARCIA.
Public-domain text, read in full here on John Shaqi.
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