Garcia the Centenarian and His Times: Being a Memoir of Manuel Garcia's Life and Labours for the Advancement of Music and ScienceMackinlay, M. (Malcolm) Sterling
History
Garcia the Centenarian and His Times: Being a Memoir of Manuel Garcia's Life and Labours for the Advancement of Music and Science
He was short of stature, a little bent with age, frail-looking perhaps,
but wiry. His eyes were bright and piercing, his profile clear-cut and
distinguished. He had an olive complexion, a gift of his native Spain
which fifty years of London fog and de-oxygenised air had been unable to
take from him.
His white hair was partially covered by a red skull-cap, and his
moustache was closely cut. He spoke in rapid tones, yet with absolute
distinctness of clear enunciation.
Every word gave proof of that keen interest which he felt in all that
was going on around him. In expression, voice, and gesture there was an
amazing alertness, vigour, and mental activity which few men of seventy
could equal, fewer still surpass. His conversation gave evidence of the
fire of youth, tempered with the tolerance of old age.
[Illustration: FACSIMILE OF A LETTER WRITTEN BY MANUEL GARCIA AT THE AGE
OF NINETY-ONE.]
A more intimate acquaintance with the great teacher revealed further
qualities which made him loved, nay, worshipped, by all his pupils.
Loyal and staunch, he had an old-world courtesy, a charm of manner, and
a patience which was quite remarkable.
When Manuel Garcia had heard me sing he asked a few penetrating
questions. Then he turned to my mother and said that he would take me as
a pupil: he thought, however, that it would be better for me to wait a
year before starting work.
There was something almost uncanny in being told by a man ninety years
of age to come back in twelve months and commence singing-lessons. But
seeing and hearing him, one could not doubt that he would be ready and
waiting at the appointed time.
Nor was the supposition wrong. In the first week of April of the
following year, when he was approaching his ninety-second birthday, the
first lesson took place. From that time on, my studies continued under
his care and guidance until April 1900, when he was in his ninety-sixth
year. In this I had the honour of being the last pupil to be regularly
trained by him for the musical profession with the full four-years'
course of tuition.
That he should have been able to continue teaching at all at such an age
is sufficiently astonishing. That during those years he should have
postponed lessons through indisposition upon only some three or four
occasions gives a still keener insight into the extraordinary life led
by him as a nonagenarian.
Public-domain text, read in full here on John Shaqi.
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