Garcia the Centenarian and His Times: Being a Memoir of Manuel Garcia's Life and Labours for the Advancement of Music and ScienceMackinlay, M. (Malcolm) Sterling
History
Garcia the Centenarian and His Times: Being a Memoir of Manuel Garcia's Life and Labours for the Advancement of Music and Science
We have seen the admiration which Pauline Viardot had aroused in many
composers besides Brahms. One may add to the list the name of Robert
Schumann, for he dedicated to her his beautiful Liederkreis, op. 24. Nor
was Señor Garcia's sister unknown as a writer of music, for she has been
responsible for many beautiful compositions.
After spending some five years in Baden-Baden, Mme. Viardot was forced
to leave the town on the outbreak of the Franco-Prussian War, owing to
her husband being of French nationality. They made their way at once to
London, where Manuel Garcia was residing, and of the months which they
spent there I shall have something to say later, since Mme. Noufflard,
the daughter of Lady Hallé, has given some interesting reminiscences of
that period. When things had become sufficiently quiet again Mme.
Viardot decided to settle in Paris, and there she has resided ever
since.
And what of her life in recent years, in her grand retirement? The year
1905, which saw her brother celebrating his centenary, found her in
splendid old age after many years of widowhood, approaching her
eighty-fifth birthday; living in a handsome house in the Boulevard St
Germain; strong, tall, and of dignified bearing, her hazel eyes still
retaining their true Spanish brilliance; her voice clear and
well-sustained; herself full of vivacity, and with a memory no less
remarkable than that of her brother; full of enthusiasm for music and
art, a grandmother, with the most charming smile and magnetic gaiety,
and still able to add to the number of her musical compositions.
A true Garcia.
One might well be tempted to dwell still further on that wonderful
personality, laying stress on her care as a teacher, on her beneficent
work among the artists whom she instructed, after they had journeyed
from all directions, from the New World as well as the Old, to place
themselves in her hands. One longs to paint her amid her home
surroundings, in an atmosphere vibrating with music, bathed in art; one
longs to show that lovable serenity, that wonderful gaiety and
prodigious activity, which perhaps strike one most of all.
This little sketch of her career will be brought to an end by a
quotation from a letter, in which one may appreciate the exquisite turn
which she gives to every phrase and thought:--
" ...Mais où trouver le temps de faire ce qu'on voudrait? C'est à peine
si on arrive à faire ce qu'on doit! En vieillissant, le temps passe de
plus en plus vite et vous entraîne d'une course vertigineuse vers le
_Grand Inconnu!_ sans arrêt, sans repos, sans pitié. Il y aura peut-être
dans le ciel une immense bibliothèque, où les œuvres du génie seront
rassemblées, et je me promets d'y faire de fameuses séances de
lectures!..."
It is the letter of a moment, but the sentiments, which she expresses so
beautifully, are those of an eternity.
[Illustration:
_Photo by_ _W. & D. Downey._
Yours sincerely Jenny Goldschmidt]
CHAPTER X.
JENNY LIND.
(1841-1842.)
Public-domain text, read in full here on John Shaqi.
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