Gargantua and Pantagruel, Illustrated, Book 4Rabelais, François
General
Gargantua and Pantagruel, Illustrated, Book 4
Rabelais, François
Fantasy fiction, French -- Translations into English; Gargantua (Legendary character) -- Fiction; Giants -- Fiction
As for the Gastrolaters, they stuck close to one another in knots and
gangs. Some of them merry, wanton, and soft as so many milk-sops; others
louring, grim, dogged, demure, and crabbed; all idle, mortal foes to
business, spending half their time in sleeping and the rest in doing
nothing, a rent-charge and dead unnecessary weight on the earth, as Hesiod
saith; afraid, as we judged, of offending or lessening their paunch.
Others were masked, disguised, and so oddly dressed that it would have done
you good to have seen them.
There's a saying, and several ancient sages write, that the skill of nature
appears wonderful in the pleasure which she seems to have taken in the
configuration of sea-shells, so great is their variety in figures, colours,
streaks, and inimitable shapes. I protest the variety we perceived in the
dresses of the gastrolatrous coquillons was not less. They all owned
Gaster for their supreme god, adored him as a god, offered him sacrifices
as to their omnipotent deity, owned no other god, served, loved, and
honoured him above all things.
You would have thought that the holy apostle spoke of those when he said
(Phil. chap. 3), Many walk, of whom I have told you often, and now tell you
even weeping, that they are enemies of the cross of Christ: whose end is
destruction, whose God is their belly. Pantagruel compared them to the
Cyclops Polyphemus, whom Euripides brings in speaking thus: I only
sacrifice to myself--not to the gods--and to this belly of mine, the
greatest of all the gods.
Chapter 4.LIX.
Of the ridiculous statue Manduce; and how and what the Gastrolaters
sacrifice to their ventripotent god.
While we fed our eyes with the sight of the phizzes and actions of these
lounging gulligutted Gastrolaters, we on a sudden heard the sound of a
musical instrument called a bell; at which all of them placed themselves in
rank and file as for some mighty battle, everyone according to his office,
degree, and seniority.
In this order they moved towards Master Gaster, after a plump, young,
lusty, gorbellied fellow, who on a long staff fairly gilt carried a wooden
statue, grossly carved, and as scurvily daubed over with paint; such a one
as Plautus, Juvenal, and Pomp. Festus describe it. At Lyons during the
Carnival it is called Maschecroute or Gnawcrust; they call'd this Manduce.
It was a monstrous, ridiculous, hideous figure, fit to fright little
children; its eyes were bigger than its belly, and its head larger than all
the rest of its body; well mouth-cloven however, having a goodly pair of
wide, broad jaws, lined with two rows of teeth, upper tier and under tier,
which, by the magic of a small twine hid in the hollow part of the golden
staff, were made to clash, clatter, and rattle dreadfully one against
another; as they do at Metz with St. Clement's dragon.
Public-domain text, read in full here on John Shaqi.
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