Gargantua and Pantagruel, Illustrated, Book 5Rabelais, François
Science
Gargantua and Pantagruel, Illustrated, Book 5
Rabelais, François
Fantasy fiction, French -- Translations into English; Gargantua (Legendary character) -- Fiction; Giants -- Fiction
Then our combatants began to wheel about, and charge with such a swiftness
that in an instant they made four moves, besides the usual salutations. So
that they were continually in action, flying, hovering, jumping, vaulting,
curvetting, with petauristical turns and motions, and often intermingled.
Seeing them then turn about on one foot after they had made their honours,
we compared them to your tops or gigs, such as boys use to whip about,
making them turn round so swiftly that they sleep, as they call it, and
motion cannot be perceived, but resembles rest, its contrary; so that if
you make a point or mark on some part of one of those gigs, 'twill be
perceived not as a point, but a continual line, in a most divine manner, as
Cusanus has wisely observed.
While they were thus warmly engaged, we heard continually the claps and
episemapsies which those of the two bands reiterated at the taking of their
enemies; and this, joined to the variety of their motions and music, would
have forced smiles out of the most severe Cato, the never-laughing Crassus,
the Athenian man-hater, Timon; nay, even whining Heraclitus, though he
abhorred laughing, the action that is most peculiar to man. For who could
have forborne? seeing those young warriors, with their nymphs and queens,
so briskly and gracefully advance, retire, jump, leap, skip, spring, fly,
vault, caper, move to the right, to the left, every way still in time, so
swiftly, and yet so dexterously, that they never touched one another but
methodically.
As the number of the combatants lessened, the pleasure of the spectators
increased; for the stratagems and motions of the remaining forces were more
singular. I shall only add that this pleasing entertainment charmed us to
such a degree that our minds were ravished with admiration and delight, and
the martial harmony moved our souls so powerfully that we easily believed
what is said of Ismenias's having excited Alexander to rise from table and
run to his arms, with such a warlike melody. At last the golden king
remained master of the field; and while we were minding those dances, Queen
Whims vanished, so that we saw her no more from that day to this.
Then Geber's michelots conducted us, and we were set down among her
abstractors, as her queenship had commanded. After that we returned to the
port of Mateotechny, and thence straight aboard our ships; for the wind was
fair, and had we not hoisted out of hand, we could hardly have got off in
three quarters of a moon in the wane.
Chapter 5.XXVI.
How we came to the island of Odes, where the ways go up and down.
Public-domain text, read in full here on John Shaqi.
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