The statements elaborately prepared by the nine senators were invariably
attributed in the newspaper columns to Basine. The hopes, plans, fears,
threats of the Vice Commission were blazoned to the world as the mingled
emotions of Basine. Photographs of Basine, his wife, children, and home,
illumined the papers and within a week the name Basine had, in the
public mind, become innately synonymous with an immemorial crusade
against vice.
The crusade itself remained as yet a vague but promising morsel in the
city's thought. The newspapers, enabled by the event to indulge
themselves more legitimately than usual in discussing the ever
fascinating problem of sex from the unimpeachable standpoint of reform,
leaped greedily to the bait.
Photographs of young women boarding street cars and revealing stretches
of leg were printed under the caption, "Indecent Way to Board Car, Says
Basine." Alongside were photographs, less interesting, but vital to the
moral of the layout, showing women boarding street cars without
revealing their legs. The caption over them read, "Correct Way to Board
Car, Says Basine." The text explained that the carelessness and
immodesty of young girls, according to Basine, frequently were the
devil's ally and that the Basine Commission called upon all young women
who had the welfare of the race at heart to board street cars in the
correct way.
Photographs of young women in Indecent Bathing Costumes appeared
accompanied by denunciations from prominent clergymen and contrasted,
with editorial indignation, to photographs of Decent Bathing Costumes
recommended by prominent clergymen. Photographs of abandoned young women
who effected garter purses, slit skirts; who crossed their legs when
they sat down were offered. These were accompanied by outraged
pronouncements against such immodesties from prominent statesmen and
clergymen.
A private auxiliary crusade started by another enterprising newspaper
resulted in a series of photographs of nude paintings to be seen in the
shop windows of the loop and Michigan avenue, and called for immediate
legislation designed to remove this source of moral danger.
Photographs of the deplorably scanty costumes worn by musical comedy,
choruses and dancers in general; photographs pointing out with mute
alarm the decline of modesty as instanced in the comparison of the
fashions of yesteryear with the fashions of today; photographs of
dance-hall scenes showing couples amorously embraced, cheeks together,
bodies riveted to each other--these and others too numerous to tabulate
cried for the reader's indignant attention out of the newspaper columns.
Public-domain text, read in full here on John Shaqi.
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