City and town life -- Fiction; Immigrants -- Fiction; Poor -- Fiction; Short stories, American; Slums -- Fiction
"Aw, now, he ain't! I sent him down by Gredel's nurseries on his way home
to-night, for some tulip-bulbs for my iron jardinières. He ought to be
back any minute if he 'ain't stopped to brag with old man Gredel that our
arbutus beats his." Then, smiling and rubbing with the back of her free
hand at a flour-streak across her cheek: "If--if it's the lady from the
orphan asylum come to see about the--the little kid we want--is there
anything I can do for you? I'm his wife. Won't you come in?"
"Oh no!" said Miss de Long, now already down two of the steps. "I--I--Oh
no, no!--thank you! Oh no--no!--thank you!"
She walked swiftly, the purple veil blown back and her face seeming to look
out of it whitely, so whitely that she became terrible.
Night was at hand, and Adalia was drawing down its front shades.
VII
GET READY THE WREATHS
Where St. Louis begins to peter out into brick- and limestone-kilns and
great scars of unworked and overworked quarries, the first and more
unpretentious of its suburbs take up--Benson, Maplehurst, and Ridgeway
Heights intervening with one-story brick cottages and two-story
packing-cases--between the smoke of the city and the carefully parked Queen
Anne quietude of Glenwood and Croton Grove.
Over Benson hangs a white haze of limestone, gritty with train and foundry
smoke. At night the lime-kilns, spotted with white deposits, burn redly,
showing through their open doors like great, inflamed diphtheretic throats,
tongues of flame bursting and licking out.
Winchester Road, which runs out from the heart of the city to string these
towns together, is paved with brick, and its traffic, for the most part,
is the great, tin-tired dump-carts of the quarries and steel interurban
electric cars which hum so heavily that even the windows of outlying
cottages titillate.
For blocks, from Benson to Maplehurst and from Maplehurst to Ridgeway
Heights, Winchester Road repeats itself in terms of the butcher, the
baker, the corner saloon. A feed-store. A monument- and stone-cutter. A
confectioner. A general-merchandise store, with a glass case of men's
collars outside the entrance. The butcher, the baker, the corner saloon.
At Benson, where this highway cuts through, the city, wreathed in smoke,
and a great oceanic stretch of roofs are in easy view, and at closer
range, an outlying section of public asylums for the city's discard of its
debility and its senility.
Public-domain text, read in full here on John Shaqi.
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