City and town life -- Fiction; Immigrants -- Fiction; Poor -- Fiction; Short stories, American; Slums -- Fiction
"Why, just to show you how a woman don't know how many real friends she has
got, why--even Mark Haas, of the Mound City Silk Company, a firm I don't
do a hundred dollars' worth of business with a year, I wish you could have
heard him the other night at the Y.M.H.A., a man you know for yourself just
goes there to be sociable with the trade."
"Fine fellow, Mark Haas!"
"'When the time comes, Mrs. Coblenz,' he says, 'that you want to make that
trip, just you let me know. Before the war there wasn't a year I didn't
cross the water twice, maybe three times, for the firm. I don't know
there's much I can do; it ain't so easy to arrange for Russia, but, just
the same, you let me know when you're ready to make that trip.' Just like
that he said it. That from Mark Haas!"
"And a man like Haas don't talk that way if he don't mean it."
"Mind you, not a hundred dollars a year business with him. I haven't got
the demands for silks."
"That wash silk I'm telling you about, though, Mrs. C., does up like a--"
"There's ma thumping with the poker on the up-stairs floor. When it's
closing-time she begins to get restless. I--I wish Selene would come in.
She went out with Lester Goldmark in his little flivver, and I get nervous
about automobiles."
Mr. Bauer slid an open-face watch from his waistcoat.
"Good Lord! five-forty, and I've just got time to sell the Maplehurst
Emporium a bill of goods!"
"Good-night, Milt; and mind you put up that order of assorted neckwear
yourself. Greens in ready-tieds are good sellers for this time of the year,
and put in some reds and purples for the teamsters."
"No sooner said than done."
"And come out for supper some Sunday night, Milt. It does mama good to have
young people around."
"I'm yours."
"Good-night, Milt."
He reached across the counter, placing his hand over hers.
"Good-night, Mrs. C.," he said, a note lower in his throat; "and remember
that call-on-me stuff wasn't all conversation."
"Good-night, Milt," said Mrs. Coblenz, a coating of husk over her own voice
and sliding her hand out from beneath, to top his. "You--you're all right!"
* * * * *
Up-stairs, in a too tufted and too crowded room directly over the frontal
half of the store, the window overlooking the remote sea of city was
turning taupe, the dusk of early spring, which is faintly tinged with
violet, invading. Beside the stove, a base-burner with faint fire showing
through its mica, the identity of her figure merged with the fat upholstery
of the chair, except where the faint pink through the mica lighted up old
flesh, Mrs. Miriam Horowitz, full of years and senile with them, wove with
grasses, the écru of her own skin, wreaths that had mounted to a great
stack in a bedroom cupboard.
A clock, with a little wheeze and burring attached to each chime, rang six,
and upon it Mrs. Coblenz, breathing from a climb, opened the door.
Public-domain text, read in full here on John Shaqi.
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