City and town life -- Fiction; Immigrants -- Fiction; Poor -- Fiction; Short stories, American; Slums -- Fiction
"There's not a time she comes back here it don't have an upsettin'
influence on you, Hanna."
"I know what's upsettin' me, all right. I know!"
He sighed heavily.
"I'm just the way I am, Hanna, and there's no teachin' an old dog new
tricks. It's a fact I ain't much good after eight o'clock evenin's. It's a
fact--a fact!"
They sat then in a further silence that engulfed them like fog. A shift of
wind blew a gust of dry snow against the window-pane with a little sleety
noise. And as another evidence of rising wind, a jerk of it came down the
flue, rattling the fender of a disused grate.
"We'd better keep the water in the kitchen runnin' to-night. The pipes'll
freeze."
Tick-tock. Tick. Tock. She had not moved, still sitting staring above the
top of his head. He slid out his watch, yawning.
"Well, if you think it's too raw for the movin' pictures, Hanna, I guess
I'll be movin' up to bed. I got to be down to meet a five-o'clock shipment
of fifty bales to-morrow. I'll be movin' along unless there's anything you
want?"
"No--nothing."
"If--if you ain't sleepy awhile yet, Hanna, why not run over to Widow
Dinninger's to pass the time of evenin'? I'll keep the door on the latch."
She sprang up, snatching a heavy black shawl, throwing it over her and
clutching it closed at the throat.
"Where you goin', Hanna?"
"Walkin'," she said, slamming the door after her.
In Adalia, chiefly remarkable for the Indestructo Safe Works and a river
which annually overflows its banks, with casualties, the houses sit well
back from tree-bordered streets, most of them frame, shingle-roofed
veterans that have lived through the cycle-like years of the bearing, the
marrying, the burying of two, even three, generations of the same surname.
A three-year-old, fifteen-mile traction connects the court-house with the
Indestructo Safe Works. High Street, its entire length, is paved. During a
previous mayoralty the town offered to the Lida Tool Works a handsome bonus
to construct branch foundries along its river-banks, and, except for the
annual flood conditions, would have succeeded.
In spring Adalia is like a dear old lady's garden of marigold and
bleeding-heart. Flushes of sweetpeas ripple along its picket fences and
off toward the backyards are long grape-arbors, in autumn their great
fruit-clusters ripening to purple frost. Come winter there is almost an
instant shriveling to naked stalk, and the trellis-work behind vines comes
through. Even the houses seem immediately to darken of last spring's paint,
and, with windows closed, the shades are drawn. Oftener than not Adalia
spends its evening snugly behind these drawn shades in great scoured
kitchens or dining-rooms, the house-fronts dark.
Public-domain text, read in full here on John Shaqi.
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