Gaston de Blondeville, vol. 1 of 4 : $b or the court of Henry III. keeping festival in Ardenne, a romance. St. Alban's abbey, a metrical tale; with some poetical piecesRadcliffe, Ann Ward
History
Gaston de Blondeville, vol. 1 of 4 : $b or the court of Henry III. keeping festival in Ardenne, a romance. St. Alban's abbey, a metrical tale; with some poetical pieces
Radcliffe, Ann Ward
Gothic fiction; Great Britain -- History -- Henry III, 1216-1272 -- Fiction; Historical fiction
Those, who seek to create a species of supernatural interest by the
first of these processes, find abundant materials adapted to their use
in the noblest parts of our own intellectual history. There are doubtful
phenomena within the experience of all reflecting minds, which may
scarcely be referred to their mere mortal nature, and which sometimes
force on the coldest sceptic a conviction, that he is “fearfully” as
well as “wonderfully made.” Golden dreams hover over our cradle, and
shadows thicken round the natural descent of the aged into the grave.
Few there are, who, in childhood, have not experienced some strange
visitings of serious thought, gently agitating the soul like the wind
“that bloweth where it listeth,” suggesting to it holy fancies, and
awakening its first sympathy with a world of sorrow and of tears. Who
has not felt, or believed that he has felt, a sure presentiment of
approaching evil? Who, at some trivial occurrence, “striking the
electric chord by which we are darkly bound,” has not been startled by
the sudden revival of old images and feelings, long buried in the depth
of years, which stalk before him like the spectres of departed
companions? Who has not shrunk from the fascination of guilty thoughts,
as from “supernatural soliciting?” Where is the man so basely moulded,
that he does not remember moments of inspiration, when statelier images
than his common intellect can embody, hopes and assurances brighter than
his constitutional temperament, may recal, and higher faculties within
himself than he has ever been able to use, have stood revealed to him
like mountain-tops at the utmost reach of vision, touched by a gleam of
the morning sun? And who, in the melancholy calm of the mind, sadly
looking into its depths, has not perceived the gigantic wrecks of a
nobler nature, as the fortunate voyager on some crystal lake has
discerned, or fancied he discerned, the wave-worn towers of a forgotten
city far in the deep waters? There are magic threads in the web of life,
which a writer of romance has only to bring out and to touch with
appropriate hues of fancy. From the secret places of the soul are voices
more solemn than from old superstitions, to which he may bid us hearken.
In his works, prophecies may be fulfilled; presentiments justified; the
history of manhood may answer to the dreams of the nursery; and he may
leave his readers to assert if they can, “These have their causes; they
are natural.” Let him only give due effect to the problem, and he may
safely trust their hearts to supply the answer!
Public-domain text, read in full here on John Shaqi.
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