Gaston de Blondeville, vol. 1 of 4 : $b or the court of Henry III. keeping festival in Ardenne, a romance. St. Alban's abbey, a metrical tale; with some poetical piecesRadcliffe, Ann Ward
History
Gaston de Blondeville, vol. 1 of 4 : $b or the court of Henry III. keeping festival in Ardenne, a romance. St. Alban's abbey, a metrical tale; with some poetical pieces
Radcliffe, Ann Ward
Gothic fiction; Great Britain -- History -- Henry III, 1216-1272 -- Fiction; Historical fiction
But a sense of real life broke in upon him even in this scene of solemn
grandeur, and it required somewhat of the patience of a philosopher to
endure, in the full glow of his present enthusiasm, the clamorous
impetuosity of idle children, who, on the first sound of wheels, were
seen running to assail the strangers from every cottage on the
neighbouring banks. The visions of quiet solitude and of venerable
antiquity were, in an instant, dispersed; the chaise was surrounded, and
the travellers, having alighted, made their way with difficulty to the
little gate, that led through a garden beside Leicester’s ruined tower
into the area that was once the lower court of the castle, followed by a
noisy troop, whom neither money, nor command, could for some time
disperse.
The tower—the gateway being now closed up,—was no longer accessible to
curiosity, nor could gratify it by any traits of the customs of former
times. No warder’s bench lurked within the gloom, nor portcullis hung in
the arch. The warden’s chamber for those, who, by military tenure, kept
guard on certain nights of the year, was transformed into a light
parlour, and the whole building changed into a modern habitation. From
the green and broken square, anciently the lower court-yard, the
travellers looked up to the noble mass of ruins that yet stand proudly
on their rocky knoll, and form three irregular sides of what was once
the inner and grand court.
Of the fourth side, which separated the upper from the lower court, are
now no vestiges, save in the inequality of the ground where their
foundations stood, and where the walls, fallen from above, may lie
buried under the turf and briers, that now cover the spot.
On the left, the shattered walls of that lofty pile, built by Leicester
and still called by his name, advance proudly to the edge of the
eminence that overlooked the lower court, hung with the richest drapery
of ivy; on the right, stands the strong square tower, called Cæsar’s,
which, though the most ancient part of the castle, appears fresher and
less injured by time, than parts that were raised some ages later. This
was the keep, or citadel, of the castle; and the prodigious thickness of
the walls appears through the three arches in front, proportioned and
shaped like some which may yet be seen in aqueducts near Rome; the walls
here show a depth of fifteen or sixteen feet. The stone, of which this
noble tower is built, is of closer texture and of a greyer hue, than
that in any other part of the building; and this hue harmonizes
beautifully with the ivy towers, which overshadow its arches and
doorcases, and with the ashlings and elder crowning its summit, which
highly overtops every relique of this once magnificent abode of princes.
Public-domain text, read in full here on John Shaqi.
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