Gaston de Blondeville, vol. 1 of 4 : $b or the court of Henry III. keeping festival in Ardenne, a romance. St. Alban's abbey, a metrical tale; with some poetical piecesRadcliffe, Ann Ward
History
Gaston de Blondeville, vol. 1 of 4 : $b or the court of Henry III. keeping festival in Ardenne, a romance. St. Alban's abbey, a metrical tale; with some poetical pieces
Radcliffe, Ann Ward
Gothic fiction; Great Britain -- History -- Henry III, 1216-1272 -- Fiction; Historical fiction
The travellers assented, and their conductor, after having directed the
postilion to a house, accompanied them to his cottage, where he produced
the desired manuscript. It was written on vellum, and richly
illuminated, and purported to be an account of what passed at
Kenilworth, when Henry the Third there kept the feast of Saint Michael,
and of some wonderful accident that there befel.
“There is a title-page written almost in the form of a triangle,” said
Willoughton, “and that about as closely as if it were printed. The date,
which forms the apex of the reversed triangle, I cannot wholly make out,
but it is twelve hundred and something.”
At the heads of chapters and sometimes on the broad margins, there were
made drawings of parts of Kenilworth Castle, as it had appeared in the
time of Henry probably, with some of the scenes which had there passed,
and sometimes with single portraits of the chief persons engaged in
them. These gave vivid ideas of the customs and manners of that period,
and were traced, with more knowledge of perspective and more attention
to proportion, than Willoughton expected. Among them was a procession of
knights and ladies, led by numerous harpers, returning from the
tilt-yard to the great hall, which showed a high sloping roof, while the
windows below, at a considerable elevation from the ground, had
round-headed arches, instead of pointed ones. The door-way, leading into
it, accorded with the place where one still appears; but the arch was
differently constructed, and the receding mouldings seemed to have been
ornamented with chevron work, or zigzag, instead of the elegant vine now
sculptured there, which latter he had no hesitation in assigning to the
time of Leicester.
Another drawing gave an inside view of the hall, as mentioned by the old
man. The roof was of great height, open to the rafters, and with pendent
beams below, formed into arches, ornamented with inverted pinnacles,
nicely carved. Another drawing gave the inside of a chapel, of which
there are no longer any remains at Kenilworth.
The original style of the building appeared very ancient, but this was
mixed with one more light and elegant, like that of the pointed arches
of the windows; and Willoughton conjectured this improvement to have
been made by Henry the Third, who is known to have repaired the chapel
of the castle for his own use, during his occasional residence there.
There was a representation of a marriage ceremony in celebration at the
altar, where a numerous assemblage of dignified persons were arranged in
state. A king was giving the hand of the bride to a young man, who was
decorated with many military insignia, but who was so far from receiving
the gift with joy, that he appeared to be struck with consternation,
while the lady, by her attitude, seemed to be fainting.
Public-domain text, read in full here on John Shaqi.
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